La chica a la que no supiste amar

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.

A chronicle of the life of a middle-class French girl's sexual adventures, her then fall into prostitution, and her ultimate redemption.

A retired sex worker on the run, moves to a small town and starts a lingerie-making business (made from her signature adire material) which inevitably empowers the conservative women. Only to anger the self instilled leader, the deaconess and wife to the preacher of the town's local church. She soon discovers the most unusual friendships and love in the unlikeliest of places. Her paradise is cut short by Captain, her former pimp whose money she stole to start a new life.

Meet Joel Goodson, an industrious, college-bound 17-year-old and a responsible, trustworthy son. However, when his parents go away and leave him home alone in the wealthy Chicago suburbs with the Porsche at his disposal he quickly decides he has been good for too long and it is time to enjoy himself. After an unfortunate incident with the Porsche Joel must raise some cash, in a risky way.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Bernarda is a loose adaptation of the play La casa de Bernarda Alba by Federico García Lorca . Five women are kidnapped and locked in a strange factory and forced to work as prostitutes.

Ziba and three of her prison cohorts, recently released from a Tehran prison, settle in an out of town doctor's house posing as house sitters and embark on a get rich quick scheme. They plan to mug the lecherous men who give a ride to ladies waiting at street sides for a pickup, which was- and is, to some extent, now- how some prostitutes found work back in the time in Iran. The film portrays the characters as well as the social origins of these men, and as it progresses, explores the backgrounds of these women.

Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.

This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.

Shortly after its release, the book was optioned by Working Title Films in conjunction with Cate Blanchett. In March 2013, it was announced that HBO Films is set to produce a film adaptation of the book starring Blanchett. HBO Films is closing a deal with Julie Delpy to adapt the Marisa Acocella Marchetto memoir Cancer Vixen: A True Story as a star vehicle for Cate Blanchett. Blanchett is an executive producer on the project alongside Maven Pictures partners Trudie Styler and Celine Rattray. (Aug 2013)