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Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.

Jerome Josserand is a professional snow kiter. In 2007 he set the world record for the highest kite flight. It was 450 m above the ground. Jerome is in love with wind and its power to use it to mount high mountains. His home is a place called Col du Lautaret which is also his playground. On his way he found Iceland. He noticed that there is snow and wind all the time. And he thought:” What if I would cross Iceland from southern to northern Iceland in just one day, with just power of wind?” And so he did. Crossing Iceland in such winter conditions was extremely tough and demanding. He needed to be in great physical and psychical preparation. There was wind exceeding 80km/h, there was equipment failure at -25C while shooting the movie, there was snow and freezing Icelandic nature everywhere. Even though Jerome prepared himself well for this journey, in the end everything depends of the power of wind… The question is – did he succeed? Did he make his wish come true?

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

A look-back at popular French movie "La Boum" (The Party).

Nightmare in Canada is a television documentary that delves into the history of Canada's horror film industry. Not only do Canadian horror films have a distinct look and style, they also explore fear and dread in a truly "tundra terror" way through themes such as "man against nature" and "fighting the evil that comes from within." Nightmare in Canada uncovers gems from Canada's film history that combat the stereotype that Canadian cinema is bland or aloof.

Documentary about Merchant Ivory Productions, including interviews with the principals of the film production company and actors which have appeared in their films.