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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/somebody-i-used-to-know-review "Somebody I Used to Know presents a cast packed with chemistry and holds interesting themes, but the formulaic screenplay lacks depth and greater care regarding character treatment. Dave Franco and Alison Brie manage to convey meaningful messages about the dilemmas that arise when mixing individual ambitions with love life, but at the cost of conflicts and drama forcibly provoked through awful human actions without any kind of heavy consequences. Secondary storylines linked to sensitive topics are approached in an exploitative, even childish manner. A movie of phases that falls short of its potential." Rating: C
Was this supposed to be a rom com, because I felt that there was a serious lack of comedy in Somebody I Used to Know. I do not remember laughing at a single joke that the writers attempted to deliver. The dialogue is very corny and feels forced and unnatural. The story takes unimaginable leaps to progress the plot; as a fellow engaged man, the decisions he makes are laughable. I mean who stalks your ex and spends all night with out to the town days before your wedding, it just made no sense. Overall, this movie just wasn't fun, and that is what I want in a film of this nature. If I ever have to listen to "I'm So Punk Rock" again, I am never watching another movie. Score: 36% Verdict: Poor
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.
Willington's only love, Mariana, is about to get married to René, Willington's cousin. While Willington is trying to get her back, a demobilization process concerning an illegal armed group is underway in the region, and new killings, besides rumors of a thief at large, will endanger Mariana's new family.
In 1920s China, nineteen-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.
Highly intelligent computer major Zoey Miller is uninterested in romantic love, but her life is turned upside down when Zack, the school's soccer star, gets amnesia and mistakes Zoey for his girlfriend.
Rob is the loneliest of loners. He is so desperate to find love that he constructs an absurd (and quite cinematic) plot to meet and impress women: he is tracking a man by the name of Jack S. who killed his wife to seek revenge, which – to him – is obviously an insanely loyal and courageous thing to do. Hannah, a seductive bartender who used to be married to a man named Jack S., agrees to help Rob track him down – a perfect excuse to get closer to (the now single) Hannah and to do everything he can to become exactly who she wants in her ideal guy. But little does Rob know that some of the people he meets along the way have intentions that turn Rob’s reality upside down – or is it right-side up?
An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.
The bond between a disabled Muslim father and his son is tested when love is pitted against religion.
Miguel, a community college student, encounters his ex-lover Boris, a Russian warehouse truck driver, at an industrial area in Sunset Park, Brooklyn through Grindr. After hesitations, they reconnect.
In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down
In Namibia, a country where sodomy is still a crime and gay relationships are stigmatized against, two lives intersect: George, a middle-class insurance broker living in central town, Windhoek, and Simeon, a kapana seller who lives in Katutura, Windhoek's township. Two secrets. One unlikely meeting in a bar.