Ghostbusters Frozen Empire 2024 - Movies (Apr 19th)
Meet Me in Paris 2023 - Movies (Apr 18th)
Peppermint and Postcards 2023 - Movies (Apr 18th)
The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
All You Need Is Death 2023 - Movies (Apr 17th)
The Dive 2023 - Movies (Apr 17th)
Bad Hombres 2024 - Movies (Apr 17th)
Immaculate 2024 - Movies (Apr 16th)
An American Bombing The Road to April 19th 2024 - Movies (Apr 17th)
Red Island 2023 - Movies (Apr 16th)
Eddie Murphy Hollywoods Black King 2023 - Movies (Apr 16th)
Himalaya 2024 - Movies (Apr 16th)
Dune Part Two 2024 - Movies (Apr 14th)
The Deadly Swarm 2024 - Movies (Apr 16th)
Jimmy Carr Natural Born Killer 2024 - Movies (Apr 16th)
Brain Tumor 2024 - Movies (Apr 16th)
Sweet Dreams 2024 - Movies (Apr 16th)
Roommate Regret 2024 - Movies (Apr 15th)
So Help Me Todd - (Apr 19th)
Law and Order Toronto- Criminal Intent - (Apr 19th)
MSNBC Reports Andrea Mitchell Reports - (Apr 19th)
Deadline- White House - (Apr 19th)
The Beat with Ari Melber - (Apr 19th)
The ReidOut - (Apr 19th)
Sugar - (Apr 19th)
Manhunt - (Apr 19th)
Franklin - (Apr 19th)
Elsbeth - (Apr 19th)
Law dis-Order - (Apr 19th)
Tucker on X - (Apr 19th)
Young Sheldon - (Apr 19th)
The Hotel Inspector - (Apr 18th)
Police Interceptors- Pursuit and Capture - (Apr 18th)
Shed and Buried- Classic Cars - (Apr 18th)
The Beechgrove Garden - (Apr 18th)
Car S.O.S. - (Apr 18th)
Taskmaster - (Apr 18th)
The Bidding Room - (Apr 18th)
Having seen the 2010 restoration multiple times, it's probably blasphemy to say that Giorgio Moroder's restoration is my preferred way to watch the Fritz Lang classic. There's just something about how well 1920s German Expressionism marries with 1980s synth-pop, it's undoubtedly an artefact from another time and most likely nothing more than a curiosity to people nowadays but as an attempt to bring Lang's classic back to the masses, Moroder succeeded. It was the first serious attempt at trying to restore Metropolis to Lang's original vision after the 1972 attempt that had been plagued with multiple issues, so in that regard, I have to give Moroder some credit. This edit barely clocks in at 84 minutes long which is nearly an hour shorter than the modern restorations, however, you can still follow the story very easily despite chunks of the film being missing. It manages to hit all the major plot points of the original while forgoing intertitles of character dialogue for subtitles, the addition of new visual effects will probably sour purists but they fit the stylings of the film very well. It's really the music where most will draw the line, personally, I love Moroder's score and all the contemporary pop songs, it just strikes all the right notes for me, his opening piece titled Machines especially. With Moroder's colour tints, snappier pace and occasionally incredulous music, this version of Metropolis is often a great deal more fun and certainly something more along the lines of a cult classic than a masterpiece of world cinema.
Saxon Logan's extraordinary 49 minute featurette pitches four people into a class war situation with a vicious sting in the tale.
In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.
First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, "Eraserhead" (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.