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Then it really is Old Scratch knocking at the door. Something of the forgotten John Carpenter movie, Prince of Darkness shows both the good and bad side of the supremely talented director. The story is a beaut, a bit skew-whiff, but unmistakably Carpenter territory as Satan exists in some sort of parallel universe. How he manifests himself is narratively a bit tricky, but still it makes for good horror, especially as the old religious angle finds Carpenter - in the guise of Donald Pleasence - chortling away to himself in a way that Old Nick has been prone to do. Cue bugs, green goo, zombies and a centuries old sect determined to keep Satan out of our world. The scares are many, atmosphere bubbling away (in time with another of Carpenter's pulse beat synth musical scores), while the finale has a genuine surprise up its sleeve. Unfortunately the cast are playing second fiddle to the supernatural strengths, working from a script that doesn't sit at one with the screenplay, rendering the characters as uninvolving fodder. Yet be that as it may, it's still a film of delights, enough in fact to make it a top end entry on Carpenter's CV. 7/10
When an elderly priest passes away, one of his colleague discovers a mysterious green liquid hidden in a cylinder deep beneath a long-abandoned church. Rather misguidedly, as it turns out, he invites a group of enthusiastic students to come and investigate it's properties. Big mistake! It was hidden deep in the bowels of this crypt for a very good reason, and once they release it they discover that the Satanic horror they face might just be the tip of the iceberg! Donald Pleasence is strong here as the priest who realises, all too late in the day, that they are facing a terror that could jeopardise the very future of humanity... Christianity at any rate! Can he galvanise his now panic-stricken helpers to reverse the effects of the deadly gloop before they all become zombified servants of evil? The dialogue maybe isn't so hot, especially as hysteria begins to set in amongst the petrified, but the pace is great and the effects have held up remarkably well as this solid and quite menacing story builds to a genuinely exciting conclusion. The supporting cast deliver well, too and John Carpenter and Alan Howarth manage a score that adds quite a bit of peril to the accruing sense of danger the former creates throughout this rather superior drama. It's short, taut, and well worth a watch.
Martha, a widow living in rural Pennsylvania, comes home to find her daughter about to blow her own head off with a shotgun in the basement of their house. Martha doesn't succeed in stopping her child's horrific demise, but the girl's death gradually leads the grieving mother to investigate a conspiracy that involves a legendary local witch, Nazi dabbling with the occult, and secret government experiments, with the story even referencing the fabled Philadelphia Experiment
A young man who works at a nursing home uses the legendary Zodiac killer's M.O. to kill people who neglect their elderly relatives.
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica's just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.
The survivors of the first Waxwork must use a portal through time to defeat the evil that has followed them and turned their lives upside down.
A disturbed author's house party becomes a scene of carnage when three of his homicidal creations appear.
People are being killed by someone or something using superhuman strength. A clever DA Assistant is sent to investigate. Is this just a way to commit the perfect murder or will the legend of the Jersey Devil prove to be true?
A priest, trying to regain his standing in the church after "falling" and sleeping with a woman, teams with a group of ESP experts to investigate a haunted house. It doesn't help that one of the experts is a beautiful young woman.
Following his forced retirement from an appalling rock band, Jason decides to vacation at Brittlehouse Manor, a health farm run by the leather-gloved, ex-Nazi scientist Dr. Storm. Along the way, Jason meets Judy, also on her way to Brittlehouse Manor to visit her aunt, who married Dr. Storm some years ago. Once they arrive, the pair realise rather quickly that something is wrong, probably because the other guests have had their brains surgically removed, or all the blood pouring from the sink, or possibly just because the creepy midget keeps telling them to brush their teeth.
A young girl is caught up in a devil cult run by her evil uncle and cousin. She can trust no one and even people she thought were dead comes back to haunt her.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
