Jack Whitehall Settle Down 2024 - Movies (Jun 16th)
Look to the Light 2024 - Movies (Jun 15th)
Eureka 2023 - Movies (Jun 15th)
Furiosa A Mad Max Saga 2024 - Movies (Jun 15th)
Vice News Presents Mass Shooting America 2024 - Movies (Jun 15th)
Daaaaaalí ! 2024 - Movies (Jun 15th)
Tuesday 2024 - Movies (Jun 15th)
Inside Out 2 2024 - Movies (Jun 15th)
Enter the Clones of Bruce 2023 - Movies (Jun 15th)
Immaculate 2024 - Movies (Jun 15th)
Quintessentially Irish 2024 - Movies (Jun 15th)
Ultraman Rising 2024 - Movies (Jun 14th)
Brats 2024 - Movies (Jun 13th)
Fentasy 2024 - Movies (Jun 13th)
Winnie-the-Pooh Blood and Honey 2 2024 - Movies (Jun 13th)
I Saw the TV Glow 2024 - Movies (Jun 14th)
Queen Tut 2023 - Movies (Jun 14th)
The Wrong Man 17 Years Behind Bars 2024 - Movies (Jun 14th)
Hannah Einbinder Everything Must Go 2024 - Movies (Jun 13th)
With Love Your Sweetly Salted 2023 - Movies (Jun 13th)
The Braid 2023 - Movies (Jun 13th)
Sunday Brunch - (Jun 16th)
Secrets of a Murder Detective - (Jun 16th)
My Adventures with Superman - (Jun 16th)
My Lottery Dream Home - (Jun 16th)
Deadly Waters with Captain Lee - (Jun 16th)
1122- For a Happy Marriage - (Jun 16th)
Total Drama Island - (Jun 16th)
The UnXplained- Mysteries of the Universe - (Jun 16th)
Looney Tunes Cartoons - (Jun 16th)
Craig of the Creek - (Jun 16th)
Katie Pipers Breakfast Show - (Jun 16th)
Married At First Sight (NZ) - (Jun 16th)
Lakefront Luxury - (Jun 16th)
Accident, Suicide or Murder - (Jun 16th)
Design Down Under - (Jun 16th)
Gutfeld! - (Jun 16th)
Hannity - (Jun 16th)
The Five - (Jun 16th)
The Ingraham Angle - (Jun 16th)
Interview with the Vampire - (Jun 16th)
In the Plains Cree language, “pîtoteyihtam” means “one who thinks differently”. Among various indigenous peoples, difference is far from being perceived as a handicap and is rather seen as a strength from which the whole community can benefit. In the era of reconciliation, Indigenous peoples are reclaiming their traditional knowledge and philosophies. Through intimate encounters with several people from the communities of Pessamit (Innu) and Manawan (Atikamekw), the film reveals how neurodiversity is perceived and experienced there, and how we can rethink the accompaniment of these young people by reconnecting with traditional philosophies of First Nations.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Toronto’s town square is flooded. The city’s infrastructure has merged with local flora. In this radically different future, people have found a connection to the past.
The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.
A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.
Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.
This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.
Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.
Light, colour, abstraction, perception, hallucination: a few concerns closely akin to those of ETANT DONNÉS which, however, do not amount to them. The most fruitful feature of such closeness lies in the tension of the many differences, and mainly, for ETANT DONNÉS, the issue of the primacy of the visible and the real, which does not exclude the pursuit of sensation.
Men and women of the !Kung people in Ojokhoe, Namibia perform healing dances by firelight. First we see men perform the giraffe dance, and then women perform the !gwa dance.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.