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German Genius - (May 28th)
The Only Way Is Essex - (May 28th)
Accident, Suicide or Murder - (May 28th)
Have I Got a Bit More News for You - (May 28th)
John and Lisas Weekend Kitchen - (May 28th)
Britains Got Talent - (May 28th)
In For a Penny - (May 28th)
The 1% Club - (May 28th)
Saturday Kitchen - (May 28th)
James Martins Saturday Morning - (May 28th)
The Big Swindle - (May 28th)
Ciao House - (May 28th)
Fatal Attraction - (May 28th)
From - (May 28th)
The Last Word with Lawrence ODonnell - (May 28th)
The Beat with Ari Melber - (May 28th)
Moving Houses NZ - (May 28th)
Later... with Jools Holland - (May 28th)
Gutfeld! - (May 27th)
Fox News Tonight - (May 27th)
_**Amusing and warmhearted parody of the beloved show**_ Growing up in a dysfunctional family, I watched the original Brady Bunch because I secretly longed for a normal family. This 1995 movie pokes fun at the Brady's wholesome and unified spirit, but also highlights their early-70's outlandishness by having the story take place in the mid-90s. Yet the movie’s never meanspirited; there’s a welcome warmheartedness. Christine Taylor stands out as Marcia, although it's impossible to ever outdo the awesome Maureen McCormick. Jennifer Elise Cox also stands out as Jan, as does Gary Cole as Mike Brady. In the periphery, Marissa Ribisi is notable as Holly, who’s attracted to Peter, which says something in itself. Shelley Long is effective as Carol Brady, burdened by that absurd hairdo. The film is amusing if you're familiar with the original show. And who isn't? If you like this one, the 1996 sequel "A Very Brady Sequel" is even better. The film runs 90 minutes and was shot in the Los Angeles area. GRADE: B+/A-
A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.
This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
As her cancer spreads, Noelia's ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after 60 years of military practices.
When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.
Rachel can't stop herself from falling in love with Paulie, the woman who helps her try on wedding gowns.
Nine men gather for a workshop on a rooftop. There they perform confrontations of everyday life, with the police and at the workplace. In the process, the actors engage a space between the theatrical and the real. This is not a film about workers. The factory is a microcosm, a miniature Egypt.
The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit. In order to clear their name, and regain their status, the Bellas take on a seemingly impossible task: winning an international competition no American team has ever won. In order to accomplish this monumental task, they need to strengthen the bonds of friendship and sisterhood and blow away the competition with their amazing aca-magic! With all new friends and old rivals tagging along for the trip, the Bellas can hopefully accomplish their dreams.
The story follows the elephant keeper in the Beijing Zoo who maintains an aquarium of fish in her home (hence the two-animal title), and her lesbian lover, a fabric saleswoman in an outdoor market. Her relationship is tested, however, when her recently divorced mother returns to town in the hope of setting her daughter up in marriage. Further complicating matters is one of Xiaoqun's ex-lovers also returning to her life with the law in pursuit.
Pilar shares his quiet home in the country of Peru with Consuelo, Milagro and Tuna. The daily routine of this house is interrupted by a call from his daughter who will visit her along with her granddaughter and newborn great granddaughter. For one night these three generations of mothers have to live under the same roof.