পুতুল নাচের ইতিকথা

This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi

An American oil company sends a man to Scotland to buy up an entire village where they want to build a refinery. But things don't go as expected.

In the main square of the town of Avila, everybody is celebrating the feast of Saint Eurosia, protector of earth's harvest. But something is happening in the village bar...

Everything changes in the life of a young 15-year-old Chukchi hunter Lyoshka with the advent of the Internet in the village. He falls in love – for the first time and deeply – with the silent video chat girl. Upon learning that she lives in Detroit, Lyoshka decides on the most desperate act in his life.

Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

Girls in my Hometown, released in 1991, is a melodrama dealing with individualism and sacrifice. A young girl has a friend who has just come back from abroad, bringing with her foreign fashions and foreign ideas. When the solider to whom the friend was engaged becomes blinded in an accident, she decides to put herself first, neglecting her duties to her fiancé and the community she lives in.

An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.

In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.

Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.

Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.