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Burt Lancaster is the multi-millionaire oil magnate "Felix Happer" who despatches one of his minions (Peter Riegert) to Scotland to buy up a village to turn it into an oil refinery. Once he arrives, he is taken for a bit of a ride by the canny locals as they try to milk him for as much cash as they can. In the days before cell phones; he has to call his boss from the phone box reporting his lack of progress and some astronomical sightings until eventually Happer comes over himself and immediately strikes up a rapport with Fulton Mackay who lives on the beach (and who is steadfastly refusing to sell). It is is simple story very well told with a slightly unpredictable, happy ending and a brilliant score from Mark Knopfler.
**Slow, with boring characters and dialogues and a disjointed script, this film does not justify the “hype” around it.** This is one of those indie films that has won over a legion of self-confessed admirers. It's a film that everyone speaks highly of, as if it were a solid masterpiece. I didn't know that when I saw it for the first time, so I saw it without a lot of expectations. I'm glad I did it: despite recognizing some merits, I am convinced that the film has been well overrated. The proof is the way it fell into oblivion! If we exclude fans and movie nerds who know everything (and when they don't, they make it up) who really remembers this movie? The film revolves around a story that is very simple: in the north of Scotland, there is a small bay with a beach and a sleepy village. When a rich oil entrepreneur decides to buy all that to build a huge refinery and a terminal for oil tankers, all those people are expectant, wanting to sell what they have for the best price. Only two people disagree: a marine biologist who want to preserve and study the local, and an old simpleton who owns a good part of that beach. The film had some potential, but it lacks solidity and a good script. Time is spent in sterile dialogue, rambling about comets, constellations and flirting. It is also very unbelievable, as a project like this would never be so consensual, there are always those who oppose it for financial or ecological reasons, or mere nostalgia. If director Bill Forsyth decided to close his eyes to the insipidity and fragility of the script, he was equally inept at using the actors. The cast is good, but he didn't know how to use it. Peter Riegert does what he can, but he has absolutely no charisma and is a forgettable protagonist, who seems more uncomfortable with his character than his character with fieldwork, far from the comforts of the office. Peter Capaldi doesn't do it better, and Jenny Seagrove is just a pretty face here. Fulton Mackay manages to give us something more substantial, but he has little screen time, and the same can be said of poor Burt Lancaster, who is removed from the screen for a good time. A disjointed script, insipid dialogues purposely created to fill up time, characters without strength and ability to captivate us… could there be something in the technical aspects that saves this film? Yes. The cinematography is very good, making the best use of the beauties of the Highlands. The sets and costumes are quite good, and the soundtrack is atmospheric and pleasant. Is it enough to justify the hype around this film and consider it a magnificent and exceptional work? I don't think so.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.
A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them, as they represent free-thinking and indulgence. When a group of gypsies arrive by riverboat, the Mayor's prejudices lead to a crisis.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
The Middle Eastern oil industry is the backdrop of this tense drama, which weaves together numerous story lines. Bennett Holiday is an American lawyer in charge of facilitating a dubious merger of oil companies, while Bryan Woodman, a Switzerland-based energy analyst, experiences both personal tragedy and opportunity during a visit with Arabian royalty. Meanwhile, veteran CIA agent Bob Barnes uncovers an assassination plot with unsettling origins.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.