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And like Jericho, Walls come tumbling down. Last Man Standing is directed by Walter Hill who also adapts the screenplay from a story written by Ryûzô Kikushima and Akira Kurosawa. It stars Bruce Willis, Bruce Dern, William Sanderson, Christopher Walken, David Patrick Kelly, Karina Lombard and Ned Eisenberg. Music is by Ry Cooder and cinematography by Lloyd Ahern. Walter Hill's variant on Yojimbo, plot basically sees Willis as drifter John Smith, who after arriving in the dusty town of Jericho, promptly sets about making some serious cash by playing the town's two gangs off against each other. Smith is one tough hombre, a deadly pistoleer who has a fear of nothing, which is why the two respective gang leaders want him to work for them. Noses get put out of joint, blood flows, scores settled and a anti-hero is born, complete with permanent scowl and dry narration. The look and sound is terrific, Cooder's pessimistic twangs are all over the plot, while the visuals dovetail between sun-baked landscapes and the misty lensed ghost town of Jericho. Hill brings his trademark stylish violence into play, with slow-mos and rapid fire shoot-outs impressive, while his skill at creating an antique atmosphere is very much in evidence. Unfortunately the narrative isn't up to much, it lacks scope and characters merely exist, making this very much a style over substance exercise. It also means that much of the cast are given only morsels to feed on. A shame when you got Walken and Kelly on overdrive when on screen. It's an odd blend of a Western with Prohibition Noir characters, but it's unmistakably a Walter Hill film. For his fans there's enough to like about it whilst accepting it's a bit of a throwaway on the page. For the casual crime/action film fan, however, it's likely to be much ado about nothing. 7/10
Elliot Ness, an ambitious prohibition agent, is determined to take down Al Capone. In order to achieve this goal, he forms a group given the nickname “The Untouchables”.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
A former Mafia boss Song gets out of jail and wants to get revenge on one of his gang members, Tai, who married the woman that he loved 20 years ago.
Liao Jiang is the lowest ranking member of a gang that holds up a jewelery store. Subsequently the three other gang members die, and their gold haul goes missing. Liao Jiang and his new gang member Huge Eyes are then forced to turn to a triad gang to help get back their gold from a rival group.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.