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**It's not a bad movie, there are much worse out there, and it's good to watch as a family, but it's not as good and as fresh as its predecessor.** After the success of the initial film, it was difficult that there wasn't a follow-up that would somehow try to extract some more money for the benefit of the studios. And as is often the case, the quality of this film is not as good as the original film. In this film, Mollie and James, now married, are expecting a second child, who will be a girl, who they call Julie, and who is born by cesarean section. The film follows the beginning of the relationship between the two brothers, Julie and Mikey, with all the natural conflicts between the two. At the same time, we accompany the adult couple in the midst of a relationship crisis, caused in part by James' bad relationship with his in-laws and by the need to increase the family income, now that there are two babies at home. As in any romantic comedy, everything is bound to end well, between several twists where the comedy, by the way, is predictable and much of what we saw in the first film is recycled and returns, without the initial glow. This is not to say that the film is totally bad. In fact, it's a satisfying comedy that gives us enough to not give up our time for wasted. It's the comparison with what we saw earlier, in the original film, that knocks her down. The humor is still present, and it is not a tiresome film (the proof is in the fact that, thirty years later, it is still present on the TV channel grid, occasionally). And there's no doubt that it's an enjoyable movie to watch as a family. The cast can once again count on the pleasant and well-executed appearances of John Travolta and Kirstie Alley. They also don't seem as committed as they did in the first film, Alley in particular, but they give a pretty satisfying performance. Bruce Willis and Roseane Barr give voice to the two babies and do it in a fun and believable way. Technically, it's as bland and uninteresting as the first film: the cinematography doesn't bring anything new or particularly notable, and the sets and costumes are pretty much what we'd expect to find. The soundtrack is good enough.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
A former Secret Service agent grudgingly takes an assignment to protect a pop idol who's threatened by a crazed fan. At first, the safety-obsessed bodyguard and the self-indulgent diva totally clash. But before long, all that tension sparks fireworks of another sort, and the love-averse tough guy is torn between duty and romance.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
For a thousand years, the Reapers guarded mankind from the demons that wait in the dark. Now, at the beginning of a new age, the Reapers are betrayed and slaughtered. Only one Reaper remains - Red, and she's out to exact revenge.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Two men share an odd friendship while they care for two women who are both in deep comas.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
