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I wish it was paced better, but 'In the Line of Fire' still makes for a good time. Clint Eastwood and John Malkovich is a great line-up and both are entertaining in this, the latter is just terrific at playing a loopy bad guy. There's a fair few well known peeps behind them, including John Heard and Gary Cole - it's a fairly strong cast. The story is an interesting one, though given that you'd expect the film to move along at a better pace but it kinda just walks through its 128 minute run time. It's not a drag or anything, but I definitely wasn't on the edge of my seat unfortunately. It's still a film I'd recommend, though.
**Action, entertainment and verisimilitude together in a film that is better than many others, more regularly remembered.** This is a conventional American-style action film, where everything revolves around the unassailable and sacrosanct figure of the President. There are loads of films like this, such as “Air Force One” or “Olympus Has Fallen”, which may help to explain why it ended up so forgotten, despite being nominated for three Oscars (Best Editing, Best Supporting Actor and Best Original Screenplay). It's not a new film, but it guarantees action and entertainment, and looks very appealing to televisions and home market. In this case, the script focuses on the threat of a madman who is willing to do anything to assassinate the American president, and on the attempts of a veteran Secret Service agent to discover and prevent him. In a film where the plot does not reserve any surprises or innovation, predictability can be a problem. In fact, there's nothing here that we haven't seen before. However, everything is done very competently and the commitment of all those involved is quite evident. The whole story is fairly well written and, apart from a few minor flaws, comes across as solid and credible. Wolfgang Petersen's direction also makes a decisive contribution to the positive outcome of the final product. The cast contains several well-known names, but, unsurprisingly, it is Clint Eastwood who secures the lead role. And once again, the veteran shows us all the charisma he has. He really manages to balance his usual tough guy image with a fragility that his age accentuates and justifies. John Malkovich also did a good job. It's not the best of his career, but it was honest, credible and done with great professionalism. Rene Russo is the female standout, but in a movie with so much testosterone, she has little to do other than appear tough enough to keep up with those men and be the love interest of one of them. Technically, the film has several points of merit that deserve to be highlighted and analyzed. When I read a little about this film (I have this habit, to be able to understand certain details and clear up some doubts that arise when watching), I discovered that there was, on the part of the production, a concern with the details. To make things more credible, they even asked the Secret Service for advice. And whenever a film production takes into account the relevance of details to the verisimilitude of the film, we have a duty to commend such efforts. Cinematography is the dominant standard in films of the time, and the sets and costumes are also what was imagined. There are many well-executed action scenes, and some good special effects and visuals. Editing is also very good.
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
CIA agent Harry Wargrave is sent to aid Gen. Marenkov, a senior Russian official, who is defecting to the west. Wargrave decides they should travel to safety on a train across Europe, the "Atlantic Express". During the journey, they must survive attacks by terrorists and an avalanche, all planned by Russian spy-catcher Nikolai Bunin.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor finds evidence of a cover-up, witnesses get targeted. A thinly veiled account of the 1963 assassination of Greek politician Grigoris Lambrakis and its aftermath, Z captures the outrage about the US-backed military junta that ruled Greece at the time of its release.
When a Harvard-educated CIA agent is killed during an operation, the secret agency recruits his twin brother.
Baian Fujieda, an assassin for hire, got an unusual job from his usual fixer to end up with an unexpected twist of destiny from the past.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.