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I guess I'm giving it a 10, I mean, Sidney Poitier is always believable. I think that is the best thing you can say about him. But the problem here is that he has a legendary reputation and this is just a throw-away cop movie. So you see his name attached and you start thinking it's going to be Oscar worthy off the bat, and, it's not. But, at the same time, Sidney Poitier is believable, and Berenger is creepy is just the right sort of way. And that is not a complaint, because he really is the hermit that is oddly uncomfortable and still perfect for the role. So, if you ask me, this is one of Tom Berenger's better roles in a not Oliver Stone flick. It's just Alley that is sort of an eye roll. She doesn't do a bad job, but Berenger nailed it and Poitier was as believable in the role as always... and then Alley was just playing 80s girl, and that is sort of the killer. That is sort of what takes it from a great movie to another throw away genre movie. But, you have two actors, Berenger and Poitier, who repentantly looked at the script and thought, this is a challenge, lets see if we can bring more to the roles than anyone expects. And they are VERY generous with each other, and it sort of kills me that they weren't in more films together. So, what you have is an 80s throwaway that two people really stepped up to sell, so it sticks with you despite it being just another cop movie. And that sort of determines my score for me.
"Shoot to Kill" makes extremely good use of some absolutely breathtaking outdoor locations. It is also a very well paced and totally engaging film throughout and it features an admittedly heart stopping stunt that will literally take your breath away when Knox falls from a rope suspended over a picturesque and deadly gorge after he has been struck by the trolley used to transport people across the head spinning and nausea-inducing gulf. There are also a wide range of wilderness survival tips and tracking techniques employed which help to place you in Poitier's predicament and it leaves you feeling as lost as he so obviously is when these necessary techniques come into play. It also teaches us the valuable lesson that if we were ever stranded in the unforgiving wilderness we would be incredibly lucky to survive for five seconds.
Political thriller involving the players related to the assassination of presidential candidate Coloso.
India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.
Two detectives must work to solve a series of brutal murders at a secluded Christian college. But as the number of suspects begin to grow can they find the the killer before it's too late?
An unidentified body is found in the remains left after a fire in a trailer at a run-down caravan park. The owner of the trailer, a young drug-addicted woman, is missing, but is she really the victim? And what role has the so-called neighbourhood watch from the nearby community played? The case is difficult to solve, with everyone involved guarding their secrets, regardless of social class. Furthermore, police supervisor Klas Fredén decides to go over Martin Beck’s head and recruit charismatic, Norwegian homicide investigator, Steinar Hovland. The newly-structured Beck group faces the blight of a power struggle. And Martin struggles to find his way back to his old self.
A group of martial arts students are enjoying a reunion party when a bomb goes off in the building. When they wake up, some of their friends have been kidnapped and they soon find a group of assassins coming after them. The only way to survive is to fight their way out.
A family moves into a neighborhood where they encounter a series of terrifying paranormal events that lead them to the edge of sanity.
Two Scotland Yard detectives investigate the murder of a young woman of mixed race who had been passing for white. As they interview a spate of suspects - including the girl's white boyfriend and his disapproving parents - the detectives wade through a stubbornly entrenched sludge of racism and bigotry.
Not long after John Chambers and his family arrive at their new home in a small country town of Pennsylvania, John begins to experience sleep paralysis. Lying there paralyzed, trapped within his own nightmare, other-worldly beings visit John. They are entities which exist in the darkest shadows of the night and can only be seen out of the corner of one's eye. These encounters begin to haunt John, transforming to complete terror as he discovers the entities' sole purpose... the abduction of his seven year old son. In the end, John will uncover the town's horrific secret, a portal on his land, and make one last attempt to save his son before the shadow people permanently take him away to their world.
Two women are abducted by a serial killer in a van and must work together to escape before it's too late.
A frustrated, angry teenage girl awakens something in the woods when she naively performs an occult ritual to invoke a witch to kill her mother.
An anthology of three erotic stories. In the first story ("Pink Encounter"), a salesman is unable to control his libido as a customer takes off all her clothes to test out a bathtub for sale. The second story ("House For Rent") features two couples who are sexually unsatisfied until they get the idea to swap partners. In the final story (no English title), a woman kills her rich husband then enters a steamy affair with the policewoman investigating the crime.