Nyctophobia 2024 - Movies (May 20th)
Diane Warren Relentless 2024 - Movies (May 20th)
Bloody Trophy 2025 - Movies (May 19th)
Soul to Squeeze 2025 - Movies (May 19th)
Viridian 2025 - Movies (May 19th)
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The Thicket 2024 - Movies (May 19th)
Alien Invasion Rise of the Phoenix 2025 - Movies (May 19th)
Long Gone Heroes 2024 - Movies (May 19th)
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From Roger Moore with Love 2024 - Movies (May 18th)
Altered Reality 2024 - Movies (May 18th)
Black Cab 2024 - Movies (May 18th)
Guy Manley - A Real Movie 2024 - Movies (May 18th)
Seize Them 2024 - Movies (May 18th)
Searching for Sasquatch 15 Chasing Legends Through Oregons Inferno 2025 - Movies (May 18th)
The Accused 2025 - Movies (May 18th)
Whos Cheating Who 2024 - Movies (May 18th)
Mission Impossible - The Final Reckoning 2025 - Movies (May 17th)
Final Destination Bloodlines 2025 - Movies (May 17th)
Dead Wrong 2024 - Movies (May 17th)
Reuben Owen- Life in the Dales - (May 20th)
The Cook Up with Adam Liaw - (May 20th)
Who Do You Think You Are - (May 20th)
Piers Morgan Uncensored - (May 20th)
Gypsy Rose- Life After Lock Up - (May 20th)
The Deuce - (May 20th)
Historys Greatest Mysteries - (May 20th)
Homes Under the Hammer - (May 20th)
Drag in the Dark - (May 20th)
The Kimberley - (May 20th)
The Chocolate Queen - (May 20th)
Narrow Escapes - (May 20th)
Who Do You Think You Are - (May 20th)
The Cheap Seats - (May 20th)
Farmer Wants a Wife - (May 20th)
The Chase Australia - (May 20th)
The Voice - (May 20th)
The Floor (AU) - (May 20th)
Scotlands Home of the Year - (May 20th)
The One Show - (May 20th)
To be honest, I was a little disappointed with this story. It's clear that Cynthia Erivo has put her heart and soul into it, but the story just has too many holes in it for me. We first meet her "Jacqueline" character as she wanders the streets of a small greek island town pinching the sugar sachets. Quickly, we discover that she has barely more than the clothes she stands up in, sleeps on a blanket in a sheltered cave and gets about blagging trips on tourist buses. Via flashbacks we are told of her privileged background in her native Liberia and of a love affair with a British woman (Honor Swinton Byrne) in London, and what's clear is that neither idyll seems destined to endure. The former, indeed, is played out across the course of the film in a rather brutally predicable fashion. Fortunately, she encounters tour guide "Callie" (Alia Shawkat) who's getting a bit fed up with the day-in day-out routine with her elderly visitors who just want to say they've "done" the place. Gradually the two start to bond and maybe there's a little light at the end of the tunnel for "Jacqueline"? Both women deliver well enough here, but there are just too many elements missing or under-developed. How did she get here for a start? Too much of her trauma has to be assumed or guessed at and not that I wanted graphic scenes, I did want to know a little more about just what made "Jacqueline" tick. The production is all adequate, and for a while the repetitive photography serves well to illustrate the dead-end nature of her existence, but I just think this missed an opportunity to develop the story of "Jacqueline" a bit more comprehensively.
As a new day begins in the small American town of Minninnewah, the residents start their day as ordinary as the next. Mother Nature, however, has other plans for them. Inhabitants have just 13 minutes to seek shelter before the largest tornado on record ravages the town, leaving them struggling to protect their loved ones and fighting for their lives. Left to deal with the aftermath, four families must overcome their differences and find strength in each other in order to survive.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.
Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”
Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...
During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.