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**By: Louisa Moore / www.ScreenZealots.com** The tenacity of a mother’s love provides the strong foundation for writer / director Noora Niasari‘s “Shayda,” a harrowing portrait of an Iranian woman who is doing her best to make the most of a terrible situation. This intimate story is one of female empowerment and endurance in a cultural system that often treats females as second class citizens. Shayda (Zar Amir-Ebrahimi) is a young mother who, with her 6-year-old daughter Mona (Selina Zahednia) has fled her horribly abusive husband Hossein (Osamah Sami) and moved into a women’s shelter in Australia. Shayda has bravely filed for divorce and is now an outcast in her own community. Constantly living in fear yet seeking a fresh start for herself and her daughter, Shayda struggles to provide a safe, calm, and normal home for her child. The two are getting by fairly well and enjoying their newfound freedoms until they get the troubling news that a judge has granted Hossein visitation rights. A dangerous situation is created when he reenters their lives and begins spending more time with his child, which causes Shayda to live in constant fear that Hossein will try to kidnap Mona and take her back to Iran. Niasari’s story explores the trauma of a sexually, physically, and emotionally abusive relationship and celebrates the sheer perseverance that one woman possesses when it comes to protecting her daughter from harm. This female-focused film addresses the cultural norms of Shayda’s home country of Iran, a place where women live with a lack of legal autonomy and have weak protections from serious things like domestic violence, and when they push back against discriminatory practices and laws, they are often arrested or given death sentences. It’s sad and infuriating how women are treated, especially those who are seeking a divorce. Niasari effectively expresses the agony, horror, and vulnerability that a soon-to-be single mother must deal with in order to liberate herself from a life of maltreatment. Amir-Ebrahimi gives a strong performance in the lead role, and she expresses a universal empathy and determination that is inspiring. Equally effective are Zahednia as a frightened innocent, and Sami as a charmer of an abuser who swears he’s changed (thankfully, Shayda knows better). “Shayda” is a solid drama that’s politically-minded, timely, and engaging. It can be tense and difficult to watch at times, but as the titular character begins living life on her own terms, things that once felt menacing now seem liberating.
Single mother Adele August is bad with money, and even worse when it comes to making decisions. Her straight-laced daughter, Ann, is a successful high school student with Ivy League aspirations. When Adele decides to pack up and move the two of them from the Midwest to Beverly Hills, Calif., to pursue her dreams of Hollywood success, Ann grows frustrated with her mother's irresponsible and impulsive ways.
A strict, but caring mother has an awakening when she is told she has cancer and it is terminal. She has a few months. She needs to complete her tasks in that short time frame.
Substance-addicted Hollywood actress, Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who still treats her like a child. Despite these and other problems, Suzanne begins to see the funny side of her situation, and also realises that not only do daughters have mothers—mothers do too.
A happily married woman lets her catty friends talk her into divorce when her husband strays.
Waverly thought she had her future figured out, she’d start her medical residency in Toronto after a summer visit to her parents in Taipei. When her plans suddenly change, she makes an impulsive detour to a small Canadian town where she meets local lifeguard Blake. After he saves her from nearly drowning at a beach party, Blake offers to teach Waverly to swim, and as the lessons continue, the two unexpectedly find themselves falling in love.
Six years after saying "I do," Olive and Clay call it quits. Although they split amicably, both want custody of their beloved dog Wesley and they end up in court. With everything at stake, can man's best friend find a way to reunite the couple?
Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets — an escaped African-American convict named Charlene — is not what he expected. Peter is freaked out, but Charlene tries to convinces him to take her case and prove her innocence. Along the way, she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.
Five family depictions, five disrupted balances. An anthology which broach subjects such as mourning, family toxicity, the lack of parents/children communication, miscarriage or divorce.
Francesca, an Italian-American writer who lives in New York, must return to Rome to retrieve her aging mother. There, the ghosts of her childhood will come to her through her mother's art.
Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.
A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?