Annual 1921

"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.

"1985: Heroes among Ruins" is a reflection of disaster. It is about the human solidarity, the search and rescue and the importance of civil protection, but above all, the triumph of the people over devastation during the earthquake of September 19, 1985 in Mexico City and the one ocurred in September 19, 2017.

The film covers the heroic defence of the Brest Fortress, which was attacked during the first strike of German invaders on June 22 1941. The story describes the events of the first days of the defence, including the three main resistance zones, headed by the regiment commander, Pyotr Mikhailovich Gavrilov, the commissar Efim Moiseevich Fomin and the head of the 9th frontier outpost, Andrey Mitrofanovich Kizhevatov. Many years later veteran Alexander Akimov again recalls the memories of the time, when he, then a 15 year old Sasha Akimov was deeply in love with the beautiful Anya and suddenly found himself in the middle of the bloody events of war.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

The Pulitzer at 100, by Oscar and Emmy winning director Kirk Simon, is a ninety-minute independent documentary released in conjunction with the Pulitzer Centennial in April 2016. This film is told through the riveting stories of the artists that have won the prestigious prize. With Pulitzer work read by Helen Mirren, Natalie Portman, Liev Schreiber, John Lithgow and Yara Shahidi; journalists include Carl Bernstein, Nick Kristof, Thomas Friedman, and David Remnick; authors include Toni Morrison, Michael Chabon, Junot Díaz, Tony Kushner, and Ayad Akhtar; and musicians Wynton Marsalis, David Crosby, and John Adams also share their stories.