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On Patrol- Live - (Dec 22nd)
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Michael McIntyres The Wheel - (Dec 22nd)
Earth Abides - (Dec 22nd)
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Landman - (Dec 22nd)
Match of the Day - (Dec 21st)
The Beat with Ari Melber - (Dec 21st)
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Blue Box - (Dec 21st)
Impact x Nightline - (Dec 21st)
Strictly Come Dancing- It Takes Two - (Dec 21st)
Woolworths Carols in the Domain - (Dec 21st)
Saving Grace - (Dec 21st)
Gutfeld - (Dec 21st)
Hannity - (Dec 21st)
Jesse Watters Primetime - (Dec 21st)
Special Report with Bret Baier - (Dec 21st)
The Five - (Dec 21st)
The Ingraham Angle - (Dec 21st)
It's hard to find a single aspect of _Cobra _that hadn't been done before, or hasn't been done better since. It's hoakey and way too self-serious given the content. But if you're hankering for some of that Sly action of yore, you shouldn't go past _Cobra_... Unless its for any number of the nearly-identical-but-better movies he did in the same era. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
This is where the law stops and I start, sucker! Cobra is directed by George P. Cosmatos and written by Paula Gosling (novel Fair game) and Sylvester Stallone. It stars Stallone, Brigitte Nielsen, Brian Thompson, Reni Santoni, Andrew Robinson, John Herzfeld and Lee Garlington. Music is by Sylvester Levay and cinematography by Ric Waite. A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far-reaching plans. Cobra is a tantalising peek as to just what Stallone's "Beverley Hills Cop" would have looked like. He had turned in a gritty and ballsy action screenplay but the studio balked at the cost and thus went with the comedic Eddie Murphy route (which worked great as it happens). This truncated 1hour and 20 minute Cobra just hints at what a dark edgy action film we should have had before the scissor suits at the studio got panicky and cut out a third of the pic. What we have left though is still good fun, Stallone is on cocky and cool bad dude mode, the villain is OTT (Brian Thompson actually looks like Arnie in some facial shots), Nielsen is in her natural bodily state... while the action we do get is high octane. It's hardly a stinker, if a little frustrating with a "what might have been hanging" over it, and of course the editing is shoddy. 6.5/10
Short and sweet. 'Cobra' is a straightforward, by the numbers action film with Sylvester Stallone. It doesn't really do much to drift you away from the obvious, but the action itself is entertaining and some of the deaths are quite cool to watch. The songs are passable, if not entirely well chosen. Stallone, as you'd likely expect, is the only performer worth noting. He does his usual stuff and it comes across strong enough, one thing I didn't like about his character is his speech - the dialogue is kinda poor, they attempt to make Cobra a smooth, cool badass but it doesn't really work in that way. I'd almost considering this a disappointing film, but the watchable action and Stallone himself carry this over the line for a good film in my opinion.
My mother loved this film back when I was a kid, actually took me to see it three times in the theater... when I was about 6. As a kid, it was another fun action movie with a lot of fun violence and just scary enough where I could boast about it at school. And, as an adult it's a fun action movie with a lot of fun violence and a plot that doesn't completely make sense, but who cares because the point is fun. It's one of those movies that you don't expect a lot going into and you are rewarded with, well, mindless popcorn munching action that is delivered in a way that only the 80s could do. So what's not to like?
A battered housewife was butchered into pieces by her spurned lover and throw her body parts in different places.
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.
Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a super-hero, even though he has no powers, training or meaningful reason to do so.
Izzy is raising her younger brother, Kevin, by herself. Their parents are deceased and her older brother, Rusty, is away in the Marines. When Izzy learns that her little brother is being bullied at school, she does what any unstable, psychopathic, homicidal sister would do.
The deranged military and former CIA agent Dean Cage is in a rehab program, trying to forget the traumatic loss of his best friend Scott in Bosnia. When he dates with his girl-friend and Scott's sister, Detective Amy Knight, in a dinning restaurant, he is mistakenly taken as being the CIA agent that is investigating the robbery of the military experiment EX by a man called Sullivan. He is injected with the drug and abducted by the thieves. Amy has six hours to find the also stolen antidote and save Dean's life.
The time is in the future and the youth gang violence is so high that the areas around some schools have become "free-fire zones", into which not even the police will venture. When Miles Langford, the head of Kennedy High School, decides to take his school back from the gangs, robotics specialist Dr. Robert Forrest provides "tactical education units". These are amazingly human-like androids that have been programmed to teach and are supplied with devastatingly effective solutions to discipline problems. So when the violent, out-of-control students of Kennedy High report for class tomorrow, they're going to get a real education... in staying alive!
New York City factory worker Eddie Marino is a solid citizen and regular guy, until the day a sadistic street gang brutally assaults his wife and murders his child. When a corrupt judge sets the thugs free, he goes berserk and vows revenge.
An experimental true crime documentary based on the unsolved murder of Raonaid Murray, a 17-year-old Irish girl, which achieved nationwide attention during the 2000s.
A girl goes missing after escaping from a bus accident. Her family and the police try to make sense of what happened to her.