Police 24/7 - (Feb 7th)
Homicide Squad New Orleans - (Feb 7th)
The First 48 - (Feb 7th)
Swamp People- Serpent Invasion - (Feb 7th)
Fugitive Hunters Mexico - (Feb 7th)
Dateline- Unforgettable - (Feb 7th)
Swamp People - (Feb 7th)
The One Show - (Feb 7th)
Gangland Chronicles - (Oct 1st)
The Eastern Gate - (Feb 7th)
Hells Kitchen - (Feb 7th)
The Vanished Elephant - (Feb 7th)
This Old House - (Feb 7th)
The Rachel Maddow Show - (Feb 7th)
Ask This Old House - (Feb 7th)
Impractical Jokers - (Feb 7th)
The Last Word with Lawrence ODonnell - (Feb 7th)
Shoresy - (Feb 7th)
NFL Icons - (Feb 7th)
Dexter- Original Sin - (Feb 7th)
R-rated comedy “Old Dads” is not particularly bad and not particularly good, but it is entertaining, disposable entertainment. Directed and co-written by comedian Bill Burr, the film has some funny (if sometimes stale) jokes and a watered-down premise that makes it mostly a throwaway. In other words, it’s your typical mass-produced Netflix movie. Best friends and business partners Jack (Burr), Connor (Bobby Cannavale), and Mike (Bokeem Woodbine) became fathers later in life. The trio finds that raising kids in your late 40s isn’t easy, and they decide to sell their successful sports apparel company to an eccentric millennial CEO (Miles Robbins). The gang are subsequently cut out of their business, which makes Jack boil over with anger. This spreads into his everyday life, from causing a rift with his pregnant wife (Katie Aselton) and starting a battle with his son’s ultra-progressive preschool principal (Rachael Harris). Leaning on his buddies to help him get his life under control, Jack and the boys go on a quest that takes them through the streets of Los Angeles and the strip clubs of Palm Springs. The comedy is raunchy, vulgar, and aimed at people who are angry at the modern politically correct society and culture. The film feels like a vehicle for Burr to air his grievances and rant against progressive thought, and some of his observations are funny (because they’re true). The reason you’ll laugh out loud is that once in a while, Burr hits on a universal anecdote about the hypocrisy surrounding today’s culture war that’s dead accurate. He never really pushes the envelope too far, though, and tries hard not to offend the liberals who will see themselves on the receiving end of his barbs and wisecracks. What helps is Burr’s sarcastic delivery and angry man persona, which you’ll either find hilarious or annoying. There are a fair share of dad jokes and shopworn one-liners that made me wince, but the stuff that’s funny is truly hilarious. It’s also worth noting that you don’t need kids to find the movie humorous, because it’s an enjoyable spectator sport to poke fun at the pretentiousness of glib, self-righteous parents. “Old Dads” has its moments, even if it’s not a slam dunk. Quality-wise, it lands squarely in the middle of the pack: and that’s probably just good enough for its intended audience. By: Louisa Moore
It's not uncommon for critics and audiences to have differing opinions on movies, and it's understandable that you may not agree with the harsh reviews of a film that you found to be enjoyable. Your positive perspective on the movie highlights its strengths in humor, entertainment value, and storytelling. It's great to hear that you found the film to be funny and hilarious throughout, keeping you entertained and engaged from start to finish. The comedic elements and the portrayal of older dads becoming parents add a unique and relatable touch to the movie, making it a great experience for viewers who can connect with that perspective. Your recommendation of the film as a highly entertaining and fun experience underscores its ability to bring joy and laughter to audiences. It's refreshing to hear your positive take on the movie and how it resonated with you, showcasing that different viewers can have varying reactions to the same film.
The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the 'black sheep' of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.
A married workaholic, Michael Newman doesn't have time for his wife and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty, a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results.
Yearning for an evening without their kids, some friends plan a night out. But to do this, their husbands need to watch the kids. What can go wrong?
A New York family implodes over three days as they careen through mid-life and quarter-life crises.
Hank Green reflects on the good, the bad, and the weird parts of having cancer.
The lives of Eric, an ex hockey player, and his partner Sam, are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
Elliot Hopper, a widower with three children, is working on a business deal to get his family out of financial straits when he is suddenly killed in a taxi accident. With the aid of a paranormal researcher, Elliott attempts to complete the deal from the beyond, ensuring his family will be taken care of.
Three bachelors find themselves forced to take care of a baby left by one of the guy's girlfriends.
Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.