The Heiress

Janet Flanders is a small-town, unsophisticated young woman who is seduced by the fantasy of romantic love; she believes that someday her prince will come to sweep her away. Then she meets handsome Brett Becker; she believes she's found the man of her dreams - little suspecting he is engaged to marry a wealthy socialite. Deep into her illusion that Brett loves her, she moves to Chicago to be closer to him, deluge him with calls and love notes, tells her family about her boyfriend Brett, and buys an engagement ring. Her obsession with him leads her from intrigue and eventually to murder.

A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.

The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job – showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.

An heiress takes a road trip in a green van. Unbeknownst to her, she has four pursuers.

Adela is the sheltered daughter of successful Dr. Maximo Sevilla. She has spent her life crocheting alone in the big house, and disappointed her father for failing to qualify for a career in law or medicine, and for lacking the confidence of her departed mother. Adela vainly struggles to cultivate elegance, until she meets and falls for the charms of striking David Javier.

Heiress learns to fly from aeronautical engineer. Things get complicated as their affair progresses.

Tobacco heiress Doris Duke develops an unlikely friendship with her butler, Bernard Lafferty.

After a childhood of abuse by his evangelistic father, misfit Oscar Hopkins becomes an Anglican minister and develops a divine obsession with gambling. Lucinda Leplastrier is a rich Australian heiress shopping in London for materials for her newly acquired glass factory back home. Deciding to travel to Australia as a missionary, Oscar meets Lucinda aboard ship, and a mutual obsession blossoms. They make a wager that will alter each of their destinies.

Renée (Mae Murray) is the heiress of a Mexican ranch, granddaughter of a woman known for her recklessness and frivolity at night. This first "Mademoiselle Midnight" is banished in the opening scene by Napoleon III at Empress Eugenie's insistence to Mexico. Renee is kept locked at the hacienda at night by her father to prevent her following in her grandmother's wayward footsteps. She falls in love with a visiting American (Monte Blue) but is also pursued by the craven outlaw Manuel Corrales. Miss Murray gets to do some of her trademark dancing, but this one isn't a comedy, despite comic relief provided by Johnny Arthur.

Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.

Wealthy Polly Fulton marries a progressive scholar whose attitudes toward capitalism and acquired wealth puts their marriage in jeopardy.