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Faith Or A Glock 9 Millimetre? End Of Days is directed by Peter Hyams and written by Andrew W. Marlowe. It stars Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Rod Steiger, Udo Kier & CCH Pounder. It's the end of the Millennium and as 1999 draws to a close Satan (in human form played by Gabriel Byrne) is in town and looking for his bride. That bride is Christine York (Tunney), who 20 years earlier on her birthday had been chosen by Satanists to be the one for the spawning of the anti-Christ. Enter retired cop Jericho Cane (Schwarzenegger), a suicidal security expert whose family were murdered, and who after being hired to protect an every day business man finds himself in a battle with evil itself. It's not just the fate of poor Christine that's now in his hands, but that of mankind too. Arnold versus The Devil, you couldn't make it up could you? Well actually "they" did, but hey, what's wrong with pitting modern cinema's action super star against man's ultimate enemy? The answer is nothing wrong with it at all; as long as the expectation level is set at brain left at the door for some mindless popcorn fun. Which when one sees the premise on offer is all one can surely expect to see. Surely? Budgeted at $100 million by Universal Studios, of which $25 million went on the Austrian Oak's salary, End Of Days, contrary to some beliefs, made over double that when all sales were factored in. However, it was still a poor return for such a big block-buster and Universal were most disappointed in the returns. As was Schwarzenegger himself, who was hoping to launch a big movie come back after a run of sub standard movies had seen his stock fall. Throw in the Razzie nominations for Schwarzenegger, Byrne (who was also up for Stigmata) and Hyams, and it doesn't make particularly inspiring reading. It's all very ridiculous, the film not the statistics, but End Of Days is a whole bunch of explosive, bonkers, action based fun. The flaws are many, not least that the plot is actually an adventurous reworking of T2: Judgement Day (Arnie playing it on safe territory one feels). While giving the big man some character depth was never going to be a good move considering his-ahem-range. Yet the film finds him on particularly good muscular form, machine gunning, shooting rockets and facing off against Byrne's (having a great time and playing it as it should be played) snarly, sarcastic Old Nick adversary. Tunney (wolf whistle that body) bats the eyes and screams as befitting the role, Pollak deserves better but runs with it in his usual dry dulcet way, while the wonderful Miriam Margolyes gets to kick Arnie's butt! Yes it's that kind of movie folks. With dashes of grue and explosions aplenty it was never about trying to win awards. If ever a film does exactly what it says on the tin then this is it. Arnie V Satan, it is what it is, relax and enjoy. 7/10
**_Solid action/horror with Arnie_** The devil (Gabriel Byrne) comes to New York City to impregnate a chosen female (Robin Tunney) during the last hour of the second millennium to bring about the end of the world. The hope of humanity falls on an atheist ex-cop, Jericho Cane (Arnold Schwarzeneggar), and his partner (Kevin Pollak). Rod Steiger is also on hand as a no-nonsense Catholic priest. "End of Days" (1999) is a comic book action flick with horror/fantasy elements. It's not meant to be an accurate depiction of biblical eschatology. As such, it's useless to pick it apart on those grounds; just go with it and enjoy the ride. That said, there are some real-life subtexts and accurate biblical aspects. For instance, disillusionment due to the unjust death of a loved one (or any number of other tragedies) happens all the time. The movie is R-rated not just for the violence and cussing, but because the filmmakers try to convey the devil's filthy lawlessness, like a threesome with a mother & daughter in a brief dream sequence (which may be "reality," but it's hard to tell). Byrne has fun with the role of Satan. As a holiday action blockbuster with Schwarzenegger "End of Days" delivers the requisite thrills where there's a massive explosion about every 12 minutes. These types of movies only work if the story and the characters pull you into their world and the film accomplishes this just enough. It's no where near as good as the first two Terminator flicks, but it's close to being on par with the third one. Of course, "End of Days" is its own animal due to the apocalyptic, religious subject matter. On that note, the palette the filmmakers use is fittingly dark. The entire film takes place at night, mostly in the urban labyrinths of Gotham with additional sequences in Gothic churches, shadowy subterranean rooms and eerie woods. The film runs 2 hours, 1 minute, and was shot in New York City and the Los Angeles area. GRADE: B/B-
One of my favorite Arnold movies. A lot of crazy demonic people. Lots of action and a great storyline.
Arnie is ex-cop "Jericho" who runs an high end private security company. When an attempt is made on the life of one of his clients, he pursues a man throughout the city before being given a portentous warning by the would be assassin that the son of Satan is soon to be born. Now even he isn't going to but that, but as more mysterious happenings occur, he finds himself trying to keep "Christine" (Robin Tunney) safe from some henchmen, and from the Church - as she is sought by the big "D" himself (Gabriel Byrne). The plot is pretty flawed from start to finish. One would assume that however strong and resilient "Jericho might be, the fact that his foe could cause people to spontaneously combust at will would have but paid to any resistance fairly early on. Nope - he keeps coming back to fight another day - and after a while, that just becomes a little bit dull and leads to an ending that is as flat as it is predictable. I suppose I ought never to have expected much jeopardy, and neither the acting nor the dialogue really do much to elevate this from a very average outing for Schwarzenegger that offers us plenty of action but totally underplays the more demonic aspects of the plot that ought to have made this just a bit darker and more interesting. It is also way too long, and though well enough made, just left me feeling that I'd seen this all before, just in a different guise.
Firemen brothers Brian and Stephen McCaffrey battle each other over past slights while trying to stop an arsonist with a diabolical agenda from torching Chicago.
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
Having lost their status and credibility five years after covering New York City with gooey roasted marshmallows in Ghostbusters (1984), the city's former heroes and once-popular spirit-hunters struggle to keep afloat, forced to work odd jobs. However, when Dana and her baby have yet another terrifying encounter with the paranormal, it is up to Peter Venkman and his fearless team of supernatural crime fighters to step up and save the day. Once more, humankind is in danger, as rivers of slimy psycho-reactive ectoplasm, paired with the dreadful manifestation of evil sixteenth-century tyrant Vigo the Carpathian, threaten to plunge the entire city into darkness. Is the world ready to believe? Can the Ghostbusters save us for the second time?
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.
After witnessing a man's death in a bizarre accident, Father Pergado goes on a spiritual retreat, where he encounters his alien double bent on world conquest.
A young East German woman leaves her husband and business partner and relocates to a West German city to start anew as an accountant, but he soon catches up with her.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
This story starts in 1980 in Paris as the memories of Andrei Borodin, a Soviet agent, take the action back to 1943 during the Teheran meetings of Stalin, Roosevelt and Churchill. A high-ranking Nazi officer developed a plan to assassinate the three world leaders in order to undermine the Allied forces. He commissioned the German agent Max Richard to carry out his plan, but it failed miserably due to the quick action and thinking of Andrei. While in Teheran, Andrei met a French woman, Marie Louni, living in the city and they had a brief but intense affair. Nearly four decades later, the Nazi officer has been captured - but not for long. Freed by terrorists, the officer is hunting down the German agent who failed to carry out the planned assassinations. Max lives at Françoise, a young French woman, who hides him.
A former bomb squad leader comes out of retirement to investigate a series of bombings plaguing Seattle.
One year after their incredible adventures in the Lion, the Witch and the Wardrobe, Peter, Edmund, Lucy and Susan Pevensie return to Narnia to aid a young prince whose life has been threatened by the evil King Miraz. Now, with the help of a colorful cast of new characters, including Trufflehunter the badger and Nikabrik the dwarf, the Pevensie clan embarks on an incredible quest to ensure that Narnia is returned to its rightful heir.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."