Django, Sartana, Trinita' et les autres…

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Tarantino reveres them, and for good reason. Welcome to the world of the kings of the Italian B-Movie.

Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)

A featurette (most likely shot for American television) about the Spaghetti Western genre during the late 60's and how it had affected Italy at that particular point in time. Contains behind-the-scenes footage from the films "Il Grande Silenzio" "Vado, Vedo e Sparo" "Ammazza Tutti e Torna Solo" and "Corri, Uomo, Corri" and interviews with their directors and cast.

The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.

A policeman must infiltrate the criminal underworld to investigate the theft of some paintings. The first clue leads him to a Latin American country, where a military prepares for a coup.