Beverly Hills Cop Axel F 2024 - Movies (Jul 3rd)
This Closeness 2023 - Movies (Jul 3rd)
Nyctophobia 2024 - Movies (Jul 2nd)
Babes 2024 - Movies (Jul 2nd)
Boneyard 2024 - Movies (Jul 2nd)
Rock the Boat 2 2024 - Movies (Jul 1st)
Everything to Entertain You The Story of Video Headquarters 2023 - Movies (Jul 1st)
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Falling Like Snowflakes 2024 - Movies (Jun 30th)
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Reverse the Curse 2023 - Movies (Jun 30th)
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A Quiet Place Day One 2024 - Movies (Jun 29th)
Daddio 2024 - Movies (Jun 29th)
The Disruptors 2024 - Movies (Jun 29th)
Two Scoops of Italy 2024 - Movies (Jun 28th)
Chestnut 2023 - Movies (Jun 28th)
The Watchers 2024 - Movies (Jun 28th)
Cabrini 2024 - Movies (Jun 28th)
Help! Im in a Secret Relationship! - (Jul 3rd)
The Secret of Skinwalker Ranch - (Jul 3rd)
Beyond Skinwalker Ranch - (Jul 3rd)
Love Is Blind- Brazil - (Jul 3rd)
Catfish- The TV Show - (Jul 3rd)
Hard Quiz - (Jul 3rd)
All In with Chris Hayes - (Jul 3rd)
The Rachel Maddow Show - (Jul 3rd)
The Last Word with Lawrence ODonnell - (Jul 3rd)
WWE NXT - (Jul 3rd)
Trying - (Jul 3rd)
Presumed Innocent - (Jul 3rd)
Land of Women - (Jul 3rd)
The Acolyte - (Jul 3rd)
Graveyard Carz - (Jul 3rd)
High Speed Chase - (Jul 3rd)
Late Night Lockup - (Jul 3rd)
Sin City Tow - (Jul 3rd)
OutDaughtered - (Jul 3rd)
Supermarket Stakeout - (Jul 3rd)
A gorilla escapes from a Mexican zoo and goes on a bloody rampage through a small town.
The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.
Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.
Even though Sam Wheat, the successful investment counsellor, still finds it difficult to express his deeper feelings for her after all these years, his young potter girlfriend, Molly Jensen, is the love of his life. However, a curious case of a systematic discrepancy will prepare the ground for a hideous urban homicide in one of Manhattan's dark alleys, trapping, seemingly forever, the unfortunate deceased's immortal soul in the realm of the mortals. With the condemned spirit unable to interact with the physical world-and as Molly's life, too, is in grave danger-Sam will have to turn to the spiritual medium, Oda Mae Brown, to warn and protect her. Can Oda and the ghost settle the unfinished business in time?
Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.
Themes of death, rebirth and mythology combine in this compilation of subversive and surreal experimental US films.