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The Price Is Right - (Apr 26th)
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Once Upon a Time... Man - (Apr 26th)
Watch What Happens Live with Andy Cohen - (Apr 26th)
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The Talk - (Apr 26th)
The Bold and the Beautiful - (Apr 26th)
Lets Make a Deal - (Apr 26th)
Love Triangle - (Apr 26th)
Johnson and Knopfler’s Music Legends - (Apr 26th)
After Midnight - (Apr 26th)
The 11th Hour with Stephanie Ruhle - (Apr 26th)
Brought up indifferently by parents who couldn't care less, "Jimmy" (Phil Daniels) goes through the motions at work only so he can afford to live the life of a pill-popping "Mod" riding around on his beloved Lambretta scooter. He's in his element, initially, but the adrenalin rushes start to wear off and his search for more exhilaration takes him on a trip to Brighton where an all out battle ensues on the beach with the motor-cycling "Rockers". The results of that opens his eyes a little to the realities of life but now he struggles with adjusting and this leads to a sense of loneliness, isolation and even paranoia. The film is accompanied by The Who's eponymous soundtrack and it's at these points it is most effective, presenting a poignant and rather bleak look at pre-Thatcherite Britain that illustrates just how little hope there was for many and at how almost tribal existence could be on the streets fuelled with conflict, depression and confusion. At times it's a really intense and well focused drama and Daniels is ideally suited for his character. The rest of it is all a bit so-what, though. This hasn't aged particularly well and though maybe unfair to review 40-off years later, it's largely lost what impact it certainly had at the time and is largely devoid of even the darkest of humour to lighten the downbeat mood. Sure, it's brutal and violent at times, the language is honest and authentic and it depicts elements of racism and intolerance effectively, but the plot is a little like life itself. A meandering and frequently disinteresting series of occurrences that rarely merit remembering. It started many a career but somehow even that just seems to reinforce it's stereotyping analysis of society - as Franc Roddam saw it. It's to be commended for the intensity and clever use of hand-held photography but, perhaps because it is so London-centric, I just found it somewhat alien, over-rated and all just a little bit pointless. Maybe that was the whole point?
A 24-hour live music event to increase environmental awareness and reduce global warming worldwide.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.
After fighting with his boss and losing his job, Monty, a semi-successful thespian, flees back home to live with his parents under false pretenses. His old friends and family are left to deal with his inflated ego, while he comes to terms with the fact he isn't as 'great' as he may believe.
An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.
Critical review of the English punk rock band's 1979 album, 'London Calling'. The program features input from industry experts, including film director and DJ Don Letts, rare performance footage and clips from songs such as 'Should I Stay Or Should I Go', 'White Riot' and 'London Calling'.
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
An exploration of the growing friendship between small-town girl Laura, who is persuaded onto a hiking trip by her friend Merit, and Joosep, a middle-aged guide.
When a young RAF pilot miraculously survives bailing out of his aeroplane without a parachute, he falls in love with an American radio operator. But the officials in the other world realise their mistake and dispatch an angel to collect him.