Badjao

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

A story of an over-the-hill prostitute whose life savings are stolen during the Holy Week.

A young boy frequently visits an old man who lives alone, keeping him always in good company. One night, he chances upon the old man watching a dated clip of himself as a cross-dressing boy. This sparks within the young boy an interest to find out more about the old man's past. What he ultimately discovers aids both him and the old man towards a richer understanding of how the weight of life and identity should be carried.

Mara is scared of water. She has a rare condition that keeps her from touching any forms of liquid. As a single mother, her only pearl is her frisky son Elim, who was later on diagnosed with a life threathening disease. The boy’s only request is to learn how to swim.

Kaye arrives at the airport in Pampanga where she waits for her estranged father to fetch her. Arriving late, her father tells her they have to wait for another arrival later that day. In those first few hours they spend together, how do they both attempt to get to know each other?

Little Mia has a lot of questions about death even if she is only 7 years old. She has always heard about it but never fully understood it. And as she experiences the loss of her own father, she struggles to see her mother’s sadness grow heavier each day. Mia seeks help instead from the shadow puppets her father left her, to cope and understand the meaning of life and death.

Alona attempts to possess her heart's desire: a man who frequents her fantasies and the toilet of the Naga City bus terminal.

Consuelo, a ghost who has haunted Escolta for many years, finds a respite from her loneliness in Joey, a young man who has just died. As the two ghosts pass the time before Joey moves to the afterlife, Consuelo questions her reasons for staying put.

Faced with unfortunate complications beyond her control, go-getter events manager Andi Medina has no other person to turn to. She is then forced to reconnect with her ex-boyfriend, cosmetic surgeon Max Labarador. Much to Andi’s shock, Max is already in a three-year live-in relationship with pediatric oncologist Christian Pilar. With nowhere else to go and left with no other options, she agrees to live with the couple – both parties agreeing into a deal that will change the course of their lives and hearts.

Ten years ago, Ginny, an Architecture student, and Marco, a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco’s unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life.

In a quaint provincial town, an elderly man awaits his inevitable fate.