Ni chaînes ni maîtres

In 1933, after leaving Dogville, Grace Margaret Mulligan sees a slave being punished at a cotton farm called Manderlay. Officially, slavery is illegal and Grace stands up against the farmers. She stays with some gangsters in Manderlay and tries to influence the situation. But when harvest time comes, Grace sees the social and economic reality of Manderlay.

Lucas, a wealthy, 43 year-old divorced businessman, is irresistibly attracted to Elsa, a 38 year old renowned sculptor from whom he has commissioned a piece to decorate the reception at his office.

A Mauritanian worker, Sidi, works in France. Like most immigrant workers, he is employed to do the most difficult and dangerous jobs. Sidi and his comrades are exploited systematically and permanently, as much by their employers as by their own countrymen who are constantly able to offer false working papers, slums where immigrants buy at high cost their right to sleep. But faced with racism and economic exploitation, immigrant workers communicate, organise...

Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

After agonizing for weeks, Valéria finally comes to terms with being in love with another woman and confesses her love for her best friend, Laurence. Short film from the series "L'@mour est à réinventer: dix histoires d'amour au temps du SIDA" ("Love Reinvented: Ten Love Stories in the Age of AIDS").

Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.

Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary.

Shipwrecked African-American slaves arrive in the midst of Bakumatsu-era Japan; they soon carve out a niche in the market with their musical talents.