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There are two lovely performances to enjoy in this story of the twelve year old "Bailey" (Nykiya Adams). She lives in a squat with her dad "Bug" (Barry Keoghan), brother "Hunter" (Jason Buda) and her soon-to-be stepmum "Kayleigh" (Frankie Box). It's that impending wedding, and the wearing of a pretty garish pink cat-suit, that puts her at odds with her well-meaning dad and sees her left to amuse herself amidst the fields of Kent. It's there that she encounters the rather enigmatic "Bird" (Franz Rogowski) who is looking for his parents who lived in a Gravesend tower block near her home. She decides to try and help this rather quirky chap and quickly their lives become curiously linked as we discover that her mother (Jasmine Jobson) is struggling through an abusive relationship with boyfriend "Skate" (James Nelson-Joyce) whilst also trying to bring up three youngsters. With the quest for her new friend's parents, her desire to help her mum and siblings and her dad's pressure to engage with his own hopes for happiness, the young "Bailey" hasn't her challenges to seek. Keoghan features energetically as he zips around the housing estates on his e-scooter, and his character serves well to help keep the main characterisations going - and it's on that front there's a charmingly understated chemistry developed between Adams and Rogowski that mixes their respective back-stories with a soupçon of the mystic and plenty of allegorical imagery to introduce quite elusive themes of freedom, family and quite frequently fun, too. There are also some fairly violent undertones, and we are left in no doubt that her life and that of her family has been and will remain fairly turbulent - but those points are not brought to us via a sledge-hammer, more by gentle observation and development of engaging personalities that evolve gently but potently over a couple of hours. It's a slow burn, but it works.
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/bird-review-a-thoughtful-study-of-the-fragile-line-between-innocence-and-adolescence/ "Bird is a raw, honest portrayal that, despite some pacing issues and a challenging blend of fantasy and reality, offers a deeply human experience elevated by Nykiya Adams' impressively genuine performance. Andrea Arnold controls her original narrative with an intimate, sensitive lens on the struggles and inner conflicts of a young girl in transition, highlighting both the complexities of adolescence and the fragile beauty of childhood innocence. For those who find themselves captivated by Bailey's introspection and vulnerability, Bird will undoubtedly be a poignant, lasting story." Rating: B-
Andrea Arnold's return to fiction filmmaking with Bird is nothing short of magical. I'm admittedly biased — give me a dash of magic surrealism and I'm already halfway to being won over. But Bird soars well beyond mere genre appeal. At its heart, this is a coming-of-age story centered on Bailey, portrayed by newcomer Nykiya Adams in what can only be described as a revelation of a performance. It's not just me gushing here — Adams has already collected five Breakthrough Performance awards, and rightfully so. There's something raw and undeniable in her presence that makes me certain we'll be seeing much more of her. The film follows Arnold's characteristic focus on young women living on society's margins, but this time through a lens that feels both fresh and familiar. Franz Rogowski (honestly, is there a thoughtful European indie he's not in?) brings his trademark subtlety to his role as Bailey's counterpart. The rest of the supporting cast holds their own admirably, creating a world that feels lived-in and authentic. But it's Arnold's underlying optimism that really gets me. Throughout the film, she weaves this beautiful thread about the nature of love — how we all love differently, imperfectly, sometimes messily. And that's okay. More than okay, actually. It's a profound truth that some of us spend decades trying to understand: that love, in whatever form it takes, doesn't need to meet some arbitrary standard to be valid. The way Arnold brings this message home — through her distinctive visual style and moments of subtle magic — well, it just works. Really works. Though I should mention the somewhat dizzying handheld camerawork in the opening scenes nearly threw me off. But perhaps that's fitting for a film about imperfect love — even its minor flaws feel purposeful, like they're part of the larger truth Arnold is sharing with us. By the time the credits rolled, I found myself sitting there, a bit misty-eyed, thinking about all the different ways people manage to love each other in this complicated world of ours. Not perfect? Sure. That's rather the point, isn't it?
At a mountain resort, Kenneth Scott falls in love with Marie Beauchamp, an older woman who merely amuses herself with him. When she deserts him to open a roadhouse, he sadly leaves the mountains and, in the company of an old wandering poet named "Doc" Podden, travels to a little village in the woods.
The mysterious "K" takes a humble job and falls in love with his landlady's daughter, Sidney Page. Sidney discourages her boyish admirer, Joe Drummond, and seeks training as a nurse. Infatuated with the head surgeon, Dr. Max Wilson, she accepts his proposal, which infuriates nurse Carlotta, who also loves Max. Carlotta lures Max to a roadhouse, where Joe, mistaking her for Sidney, shoots Max. K appears and, assuming his true identity as the famous Dr. Edwards, saves Max's life by performing his "Edwards operation."
After a comet disrupts the rain cycle of Earth, the planet has become a desolate, barren desert by the year 2033. With resources scarce, Kesslee, head of the powerful and evil Water & Power Corporation, the de facto government, has taken control of the water supply. Unwilling to cower under Kesslee's tyrannical rule, a pair of outlaws known as Tank Girl and Jet Girl rise up, joining the mysterious rebel Rippers to destroy the corrupt system.
After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her unhinged family.
Manhattan drag queens Vida Boheme and Noxeema Jackson impress regional judges in competition, securing berths in the Nationals in Los Angeles. When the two meet pathetic drag novice Chi-Chi Rodriguez — one of the losers that evening — the charmed Vida and Noxeema agree to take the hopeless youngster under their joined wing. Soon the three set off on a madcap road trip across America and struggle to make it to Los Angeles in time.
Elation in Neustadt: by the means of a little witching, Bibi Blocksberg saved two kids from burning to death. While her mother Barbara, a witch of flesh and blood herself, is very proud of her daughter, father Bernhard, overworked and stressed, disapproves greatly of her supernatural antics. Then Bibi gets a message from Walpurgia, the senior witch: she is going to receive her crystel ball, that will make a "real" witch of her, early. Proudly, Bibi jumps up her broom to fly to the Blocksberg, the witches' headquarters. But Rabia, one of the few evil witches, aging in misery and with a secret, begrudges her all the glory...and her youth. And so Rabia sets off events that will soon make Bibi's life fall into pieces.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
During a snowy winter in the small fictional town of Knight's Ridge, Massachusetts, a group of lifelong buddies hang out, drink and struggle to connect with the women who affect their decisions, dreams and desires.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.