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In search of a good story, globe-trotting photojournalist Emanuelle meets up with an ex-prizefighter who tips her off about a rich pervert who recruits girls for his own private harem based on their astrological signs.

An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.

A man with social anxiety attempts to order pizza over the phone at the risk of having a nervous breakdown.

Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.

A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.

COOCUYO. To quote a Cuban comedian: “where does the Cocuyo hide its battery?”, just thanks to its peculiarity, Desiderio uses this cockroach as a perfect metaphor to describe his protagonists: with their green lights during the night and virtually impossible to find during the day. In his movie, he tries to find the battery of the Cocuyo living and looking for the “day-time” part, creating a path made by portraits and with an anti-narrative style. These scenes are far away from the Electronic music, or partly at least; all in a very natural context and without a defined screenplay. http://www.coocuyo.com/

Intrepid photojournalist Emanuelle arrives in San Francisco, where she briefly meets up with fellow journalist - and fellow feminist - Cora Norman, before being whisked off to India to investigate a guru con artist.

The new guy in a Los Angeles high school, Morgan, does some singing and fights hotshot Nick over disco dancer Frankie.