Битлз и их дети

The Beatles’ first US concert was watched by a crowd of 8,092 fans at the Washington Coliseum in Washington, DC. The band had traveled from New York to Washington, DC early in the day by rail, as an East Coast snowstorm had caused all flights to be cancelled. The Beatles took to the stage at 8.31pm, and performed 12 songs: ‘Roll Over Beethoven’, ‘From Me To You’, ‘I Saw Her Standing There’, ‘This Boy’, ‘All My Loving’, ‘I Wanna Be Your Man’, ‘Please Please Me’, ‘Till There Was You’, ‘She Loves You’, ‘I Want To Hold Your Hand’, ‘Twist And Shout’ and ‘Long Tall Sally’.

May Pang lovingly recounts her life in rock & roll and the whirlwind 18 months spent as friend, lover, and confidante to one of the towering figures of popular culture, John Lennon, in this funny, touching, and vibrant portrait of first love.

No musical group has had as profound an impact on pop music as The Beatles. Tony Palmer's groundbreaking documentary gives us an intimate look at one of the most influential groups in musical history.

Written in 1967, Sgt. Pepper’s was the world’s first concept album. The Beatles went into the studio, enthusiastically embracing the possibilities for experimentation that were blossoming at the time, and with no intention of playing the album live. Firstly, because they just didn’t feel like it (due to the hordes of screeching fans), but also because it was music that supposedly couldn’t be performed on stage, as it was too complicated. But that music just had to be played live at some point! Now The Analogues’ perform this masterwork live in all its analogue glory—an honor for which no effort has been spared with regards to a truckload of wild and wonderful vintage instruments. There’s a sitar and tabla drums for ‘Within You, Without You’, a rare Lowrey keyboard for ‘Lucy in the Sky with Diamonds’; a harp for ‘She’s Leaving Home’, plus, of course, a huge array of strings and horns. This is The Analogue’s quest to faithfully perform Sgt. Pepper’s live!

Johann Sebastian Bach is not only one of the greatest composers of all time, but perhaps also the most mysterious. Who was this inconspicuous man from Thuringia, whose music still deeply touches people from all over the world?

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

A creative and skilful montage as well as dramatically spot-on sound and music effects are combined in a snappy plot to offer a mordant commentary on the constitutionally enshrined equality of men and women in the GDR. The film was awarded a medal at the 1982 congress of UNICA, the Union Internationale du Cinéma, in Aachen.

Rolling into the village: Circus Hein. Angelika Andrees is interested in the individual acts presented in the ring, but even more in what happens before and afterwards. Or what the audience look like from below, when various bottoms are squashed on the wooden benches. Sometimes there’s clacking and knocking, or the pattering of rain, and in the end, Bob Dylan sings. “Travelling Circus” was made when Andrees was still at the Babelsberg Film Academy. She experiments with different elements, switches tones and thus captures the moods crystallising around the travelling attraction. A portrait emerges, without commentary and with very few, short interview sequences.

In works like “Guide Dog Ruepel” (1962), Bärbl Bergmann was the first feature film director in the GDR to portray children in their often pitiless but also honest dealings with each other, something that was almost impossible in the documentary films of that period. But she also managed to sneak lessons on how to pursue educational goals with creative obstinacy into popular science films. Thus her educational piece about two boys who discover that magic, too, requires hard work, despite its rational approach, is far from disenchanting: The protagonists reach their conclusion via detours that take them through mysterious corridors, furtive looks through keyholes and bewitching dreams.

“Won’t make it today, hope you don’t mind.” A casual call, the husband will be late again, not to be expected before eight. He is an officer in the National People’s Army, still young, but with a lot of postings under his belt, always accompanied by his wife. She has resigned herself to her fate, while he flourishes enviably in his profession. Róża Berger-Fiedler spends most of the time by his side, following him in brisk cuts from appointment to appointment. Talking is required and demanded constantly: to representatives of the Soviet armed forces, young recruits, subordinates. Words come easy to him, but not everything runs smoothly.