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I recall hearing murmurs of this film being in production before Covid, and when it came to mind earlier last year, I was saddened to find no news about it. I truly thought it might have been lost in the shuffle. However, to my delight, it wasn’t, and eventually, it received a one-day-only wide theater release I was able to attend. It’s always a pleasure to see a Beatle on the big screen. The biggest shock to me was how well the film was edited. It is filled with its own flavor and personality, seperating it from the various Beatle documentaries that have come before. Dream-like transitions, textures, images, and drawings make the entire thing feel like some sort of joyride. It’s captivating, spellbinding, and simply unique. However, since the film is mostly composed of archival footage, there are obvious manipulations made to the footage in order to colorize it and present the film at a higher quality. Some pieces look washed and unnatural. What’s not tampered with, though, such as various personal pictures and footage of John Lennon presenting on local news and radio stations, are beautiful shots that I had never seen. There were a lot more mentions of Paul McCartney than I expected, and one in particular left my jaw on the floor. The iconic bootleg record, A Toot and a Snore in ’74, which features the last “jam session” of Lennon and McCartney, is not only referenced, but is played, remastered, and even animated! However, what truly amazed me was Pang’s account of Paul pulling John aside and delivering a message from Yoko. Keep an eye out for that scene. The film does end up dragging in the middle, however. My biggest pet peeve with documentaries about Beatle-esque topics is the tendency to lean into that “Beatlemania” hysteria, losing their personality and repeating a story that we all already know if we’re watching their film. “The Lost Weekend: A Love Story” does this, but not nearly as embarrassingly as Disney’s “If These Walls Could Sing” earlier this year. This might be a spoiler, but in the last quarter of the film, we meet present-day May Pang. Her interview is entirely shot in black and white, against a muted background, and is very well done. We linger on her face as she recounts John leaving her to reunite with Yoko, the end of our story. This personal touch adds much more than any archival pictures or footage could have done. We also encounter some outright cringeworthy moments, like the film’s opening line being a question Pang answered on a talk show about ‘making money off of John’. It feels forced and comes across as inappropriate; as these ticket prices were much more than I paid for “Super Mario”. Another wonderful addition to the film is its soundtrack. Apart from the aforementioned tracks from Bowie and Elton, I was pleasantly surprised to hear solo Lennon music, despite knowing that Yoko Ono owns most of John’s publishing. Ono isn’t portrayed very well here, so I’m left wondering if she gave her blessing for songs such as Imagine, Happy X-Mas, and Surprise, Surprise to appear in the film. In conclusion, “The Lost Weekend: A Love Story” is a unique and captivating documentary that offers a fresh perspective on John Lennon’s life through the lens of May Pang’s own eyes. The film stands out with its unique editing, dream-like transitions, and captivating visuals. It’s a welcomed change to the music documentary. I won’t go too in-depth, as I recommend that you all see it for yourselves, but the hug shared, along with the walk off into the sunset at the end, left my heart feeling warm.
The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.
Taking an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson's complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
An unflinching and deeply personal journey into the life and work of guitarist Eric Clapton told through his own words and songs.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.