Salón México

Fresh wounds are reopened when Jasmeet Bhamra, a cop and a single mother who recently lost her child in a shooting spree, transfers to High Wycombe and is assigned a case of a missing child.

Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence.

A detective is assigned to handle a murder case, because one unexpected afternoon, a man claims to have committed a murder

A child gets lost in the cracks and his mother desperately attempts to save him.

Alberto, consumed by jealousy and obsession, manipulates their son Beto to keep the family together while his wife Ema struggles to free herself from his control. When Ema requests a divorce, the situation escalates into a violent confrontation. Desperate, Alberto takes the family to a countryside house with sinister plans, believing he is freeing Ema from a demon. The story culminates in a final act of violence that puts Ema's life at risk and reveals the dark limits of control and obsession.

A proud, pro-capital punishment district attorney with a 90% execution rate, finds himself wrongly convicted of murdering his estranged wife and sentenced to die. The woman he loves and his investigator rival for her affections rally to find the real killer, while he is confronted by the misery of life on death row.

Tensions are high after a Danish freighter is captured and held for ransom by Somali pirates, leading to weeks of high-stakes negotiations – and an escalating potential for explosive violence.

Borinage left Henri Storck profoundly disturbed by injustice and social poverty. When he was offered a chance to make the film he undertook an in-depth survey into the working class and slums and shouldered his camera as a militant filmmaker. In a plot of Walloon slums he staged characters and situations as examples. All shots work on intensity, the filling of the frame, which gives the impression of being unable to breathe, of being trapped, closed in. And in the face of this overflowing misery is the emptiness of the expressions, the absence of emotion. Survival is all. But the message of hope is there, with the destruction of slums (the hovels are demolished as if getting rid of a tyrant) and the construction of garden cities surrounded by trees in bloom and a future of song, leaves one with the impression that man’s dignity has been safeguarded.

After a man kills two members of his Yukon gold prospecting team, the other two surviving members struggle to keep him subdued for the next several months until they can turn him over to the law.

Mary Holmes (MacKellar), once a famous opera star known as Maria di Nardi, now lives in a run-down shanty and suffers from alcoholism. Known for her eccentric behavior, Mary breeds geese, and is thus known in her neighborhood as 'The Goose Woman'. She blames her grown son Geoffrey (Linden) for the deterioration of her voice, and does everything to destroy his life. When Geoffrey, who works as a commercial artist, announces to her that he will marry Joan Hoyt (Arthur), an actress, she becomes torn with jealousy and threatens to reveal to Joan that he is an illegitimate birth.

One of the most discussed and imaginative cartoons of any era. It tells the famous Edgar Allan Poe story of the deranged boarder who had to kill his landlord, not for greed, but because he possessed an "evil eye." The killer is never seen but his presence is felt by the use light-and-shadow to give the impression of impending disaster.