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The TV biopic maps the fate of Roma writer Elena Lackova in an intimately personal way. As viewers, thanks to the author's authentic voiceover and preserved archive footage, we delve into her memories of the Holocaust and the communist dictatorship in the context of the play Burning Gypsy Camp. We uncover the circumstances of growing up in a gypsy settlement, her first literary achievements, and her struggle to combine her personal and professional life. We also get to know her life story through her great-granddaughter and actress Alžbeta Ferencova, known as Zea or the serial Iveta (dir. Jan Hřebejk, 2022). The parallel between the life of the writer and that of her great-granddaughter, who also embarked on an artistic career and broke down stereotypes about the role of Roma women in society, creates a timely and transferable story. A crucial motif of the poetic film is also the unprecedented emancipation of the writer for the time.

Miko is a truck driver, his father is Romani, and above all he is a man who wanted to help those in need. When the Czech government was looking for reasons not to take in a few dozen children from Greek refugee camps after the chemical attacks on Syrian civilians in 2018, Miko took justice into his own hands and, together with the Czechs Helping initiative, prepared facilities for child refugees. However, government officials gave priority to political interests. Will parliamentary elections and a change of ministries save the situation? An unflattering but accurately portrayal of the Czech Republic as a country that will only offer a helping hand when it is worthwhile.

With the UK’s hardening immigration policy in the background, director Mira Erdevički follows the lives of three Roma: Petr Torák, Denisa Gannon and Ondrej Oláh. Settled in the UK over 20 years ago, the trio still feel attached to their native Slovakia and the Czech Republic. As the country goes into lockdown, they film their lives throughout the Covid pandemic and the aftermath of Brexit.

Muzafer Bislim comes up with some of his most insightful songs while sitting on the floor, recording lyrics into a cassette recorder bought at a flea market. A poet and songwriter who collaborates with the biggest names in Romani music, the 54-year old lives a life of modest means with his family in Shutka, Macedonia. Stored in the corner of his one-room house is a tottering, ceiling-high stack of handwritten, 25,000-word, multi-dialect dictionary of the oldest and most obscure words in the Romani language, which he has painstakingly collected over 35 years. When he's invited to the International Biennial of Poets held in Paris, he sees the trip as an opportunity to have his dictionary published. A testament to the endurance of a people who have been scattered across Europe, the dictionary is not only a work of art but also a rare link to a divided past.

A documentary about a young Finnish Romany Carmen, 11, who lives with her grandmother and aunt in the suburb of a small town in Northern Finland.

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.

The young director Tomas Vynikal arrives at the Roma ghetto in search of humanity. With an authentic approach, he finds true friendship, but also human corruption. Everything is kept in the dark when the city of Prerov sells the ghetto together with its inhabitants to a private company for the purpose of new housing construction. This company will only go so far to demolish part of the houses and end up insolvent. The work is also a picture of current social problems in the Czech Republic, where human dwellings are meaninglessly devastated. These inhabitants receive new rental flats from the state, thus another ghetto is being created and society is moving in a catch 22 circle. The film contains time spent from September 2010 to September 2020.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

Sabina has traveled from Romania to the small Swedish town Holmsund with her Roma brothers. They work in a garage and Sabina is looking for a job. Elin, born and raised in Holmsund, is in the church singing at the graduation ceremony. A summer is about to start and Sabina will get to know Elin. Together they will revolt against the old ways and find something new in each other. At the same time the society around them collapses in fear and Elin’s dad becomes insane by sorrow. Because there is a madness in the Swedish idyll.