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Hudson and Rex - (Apr 18th)
Foreign Correspondent - (Apr 18th)
Dinner with the Parents - (Apr 18th)
The Bidding Room - (Apr 18th)
Police Interceptors- Pursuit and Capture - (Apr 18th)
Four in a Bed - (Apr 18th)
Raw Talk - (Apr 18th)
Red Flags - (Apr 18th)
Deal or No Deal - (Apr 18th)
Tipping Point Australia - (Apr 18th)
The Chase Australia - (Apr 18th)
Motorway Patrol - (Apr 18th)
The 11th Hour with Stephanie Ruhle - (Apr 18th)
Divided Youth - (Apr 18th)
Dateline- Secrets Uncovered - (Apr 18th)
The Cleaning Lady - (Apr 17th)
Loot - (Apr 17th)
Palm Royale - (Apr 17th)
FBI- International - (Apr 17th)
Under the Bridge - (Apr 17th)
White Noise fizzles out its noisy static by just being plain boring. Watching Keaton as he unconvincingly stares at televised white noise for an hour and a half, which is essentially nothing, perfectly surmises the experience of Sax' supposedly supernatural horror. However, the biggest crime that the studio committed was releasing the feature on the first weekend of the year. Now, it's common knowledge that the initial start to the cinematic year typically begins with a disposable horror. Well, White Noise is to blame. Signalling untapped box office potential, despite the overt opinions of critics. And, as to be expected, matches the quality of a broken tape. A successful architect loses his wife to a drowning accident, to which he then encounters a psychic introducing him to the supernatural phenomenon of EVP. Electronic Voice Phenomena. Y'know, recording background noise in a room, playing back the tape and flabbergasted when the ghost of Michael Jackson hauntingly sings "Thriller". Except in White Noise the tool that's used is, well, white noise. The annoyingly hypnotising static from televisions when no channel is picked up from the current frequency. Keaton becomes entranced by the ominous voices and high definition faces he sees within the six televisions he owns in his modern apartment. Who is making contact? Is it his wife? Malevolent entities trapped in the cubic prison that is a television? Pretty sure writer Johnson didn't even know himself. The film is a mess. It's muddled, confused and abhorrently remains stagnant throughout. This architect, a father, essentially abandons his son when fixated on saving souls warned by his deceased wife that conveniently match the images in the white noise as soon as he arrives to any given scenario, despite "Willow Avenue" being mentioned days before. So think of it as 'Final Destination' meets 'Pulse' (original, obviously...). Except it's neither as entertaining as the former nor as horrifying as the latter. Keaton looked bored as hell and overacted in times of emotional distress, although reassured the narrative with control. The jump scares were obnoxiously tame, yet admittedly one of the piercing noises made me twitch my body. The ending is...well, let's just not talk about it. It's terrible, with CGI ghost things swooping in on Batman, and answers no lingering questions that the mystery of EVP conjured up. Heck, the feature begins and concludes with onscreen text about "existing" occurrences. "1 in 12 cases are dangerous". Yeah. Ok. You know what is dangerous? Ruining Keaton's career. We had to wait a decade later for his rejuvenation! White Noise admittedly has a decent enough premise, yet Sax' lack of direction accompanied by shoddy writing and lacklustre performances resulted in one film that had the similarities to white noise. Nothingness.
Fred Suen is fan of TV news reporter Kitty Wong. It is an obsession that will eventually result in rape and murder.
'Acedia' tells the experiencies of a lonely man, lost in himself, how sees the days go by and how occupies time.
FBI agent Neville Flynn boards a flight from Honolulu, Hawaii to Los Angeles, escorting a key witness to testify against a mob boss at an upcoming trial. An on-board assassin releases a crate full of hundreds of deadly venomous snakes in an attempt to eliminate the witness. Flynn and a host of frightened passengers and crew must band together to survive the slithery threat.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
When a group of idealistic young men join the German Army during World War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
A collection of shocking videos that tremble different from the mediocre psychic documentary! 1 Accident / 2 Antique / 3 Insect Part 1 / 4 Car Window / 5 Kuchiya / 6 Insect Part 2.
The inhabitants of the British Isles have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the isles, convinced the danger has come and gone. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his girlie magazine and how it changes into a battle to protect the freedom of speech for all people.