Period Drama

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.

In a world where men hide their true love and feelings, where a mother turns a blind eye to her son's identity, and where religion dictates that a man may only lie with a woman — is everything we see truly what it seems to be? The latest release from New Queer Visions takes a look at representations of boys and men, how desires are hidden from those around them, and how self-belief conquers doubt. The short films are: Adult (2017); Hello, Stranger [Dag vreemde man] (2016); Little Potato (2017); Juan Gabriel is Dead [Se murió Juan Gabriel] (2018); The Guest [Le convive] (2017); Contestant #4 (2016).

As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.

Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.

Two lost souls with incongruent world views meet again and again under strange circumstances and it will gradually become clear that they are connected by some force, which is bigger the they can fathom.

High school senior David Bennett (Alex Branton) is about to embark on his last night as a high school student, and for his friends Scott (Brian Scott Hunt), Mike (Keven White), and Kailey (Jayci Molnar) he promises to make it a night they will always remember. While the gang heads off on their night of mischief and fun, David's overshadowed little brother Aaron (Adam Hagenbuch) teams up with the hotheaded school resource officer, Eddie Fiebigger (Joel Hudgins) to ensure that David doesn't pull off another one of his infamous escapades. As the night goes on, the realization sets in for the group of seniors that high school is over and the question of "what's next?" is the only thing on their minds.

The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

Long time friends Louise, Nina and Alice celebrate their recent graduation with hectic partying, joined by their friend Kane who is the only friend not to attend university. Louise’s imminent departure for London adds to the underlying tension within the group, and as the boundaries between real and surreal blur, Louise devises an intervention to save their final days together. They embark on a road trip to regional Australia, and upon returning home face the reality of her departure. They are left, a group of suburban animals, on the threshold of their lives.