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**_The bad side of Tulsa_** A young man (Eric Stoltz) has a wealthy mother (Mary Tyler Moore), but is about to lose his movie-review job at the paper while owing money to a no-nonsense drug dealer (James Spader) and struggling with feelings for the dealer’s wife (Deborah Kara Unger). The latter’s brother is an old friend, but now a rich psycho (Michael Rooker), as Richter starts a relationship with a drug-addled woman (Joanna Going). On top of all this, Ronnie manipulates him into getting involved in a risky blackmailing scheme. “Keys to Tulsa” was primarily shot in December, 1994, but not released until 1997. It’s a psychological study of several flawed people within the context of a crime drama that mixes quirky humor with serious situations. Although there are a few thrills, it’s not a thriller, but rather a soap opera meshing Tarantino with Tennessee Williams. The semi-incoherent plot is reminiscent of the contemporaneous “Cop Land,” but it’s not as satisfying as that movie, not to mention “Pulp Fiction,” “Jackie Brown” or “The Fugitive Kind.” More coherent storytelling would’ve helped, but there are other issues. The flick wallows in the seedy side of life with a curious shortage of light (even “Pulp Fiction” featured a potent message of redemption), which is ironic seeing as how Tulsa is sort of seen as America’s ‘City of God.’ When it does try to convey some noble bit, like the revelation that a certain adulterous woman truly loves her husband, it comes across awkward, disingenuous and eye-rolling. It has a notable cast, though, and there are entertaining moments here and there. Spader is great as a Dark Elvis type and Deborah Kara Unger never looked better, not to mention Going. The latter has a few nude scenes, I guess to make up for the movie’s shortcomings. But her character is so lost, so drug-addled, you feel sorry for her. Yet it’s not like these kinds of people don’t exist. At the end of the day, the flick had great potential, but needed a rewrite to work out the kinks and flush out better entertainment. Still, some of it works. It runs 1 hour, 53 minutes, and was shot in Dallas-Fort Worth, Texas (along with nearby McKinney) and Tulsa, Oklahoma. GRADE: C/C-
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.
An ex-tennis pro carries out a plot to have his wealthy wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway.
In 1983 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.