Slingshot 2024 - Movies (Nov 5th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
In the Summers 2024 - Movies (Nov 5th)
Shriek 2023 - Movies (Nov 5th)
A Different Man 2024 - Movies (Nov 5th)
Super/Man The Christopher Reeve Story 2024 - Movies (Nov 5th)
The Outrun 2024 - Movies (Nov 5th)
A Mistake 2024 - Movies (Nov 5th)
Holiday Mismatch 2024 - Movies (Nov 5th)
The Silent Hour 2024 - Movies (Nov 4th)
The Crow 2024 - Movies (Nov 4th)
Afraid 2024 - Movies (Nov 4th)
Juror #2 2024 - Movies (Nov 4th)
Boneyard 2024 - Movies (Nov 4th)
ROMI 2023 - Movies (Nov 4th)
Bermuda Island 2023 - Movies (Nov 4th)
The Whole Story with Anderson Cooper - (Nov 5th)
The Traitors Canada - (Nov 5th)
Britain’s Most Evil Killers - (Nov 5th)
Villages by the Sea - (Nov 5th)
The Block - (Nov 5th)
After Midnight - (Nov 5th)
Joselines Cabaret Texas - (Nov 5th)
Tia Mowry- My Next Act - (Nov 5th)
Watch What Happens Live with Andy Cohen - (Nov 5th)
The 11th Hour with Stephanie Ruhle - (Nov 5th)
Storyville - (Nov 5th)
The Rap Game UK - (Nov 5th)
The Chocolate Queen - (Nov 5th)
The Voice - (Nov 5th)
The Overlap On Tour - (Nov 5th)
Return to Las Sabinas - (Nov 5th)
Ancient Aliens- Origins - (Nov 5th)
Hoarders - (Nov 5th)
Jesse Watters Primetime - (Nov 5th)
Gutfeld - (Nov 5th)
If you've seen "If I Were King" (either the 1920 or 1938 version), or read Sir Walter Scott's "Quentin Durward" (1823) then you will be familiar with the basis of this quite enjoyable, if a little slow, historical drama. François Villon (John Barrymore) is the populist poet who falls foul of King Louis XI (Conrad Veidt) when he offends the visiting Charles, Duke of Burgundy (Lawson Butt). Banished from Paris as a punishment, he must use his popularity - he has just been elected "King of the Fools" - and his contacts at the Court of Miracles, the ultimate den of iniquity, to keep his country from the encroaching Burgundians. Weidt steals this for me. He plays the shrewdly decrepit monarch remarkably well. Marceline Day is also quite fun as the pretty, and feisty, "Charlotte", the young girl to be traded to one of Charles' lieutenants "Thibault" (Henry Victor). Barrymore reminded me of a "Puck" style of character, mercurial and engaging with a sharp blade (and tongue) when required, and his efforts pay off well, most of the time. Apparently the bairn at the start is the young Dickie Moore whom you might recall from his 1933 title role in “Oliver Twist” - when he was but eight years old. It's a good watch, this film, and the inter-titles convey his wittily structured poetry effectively. I could just have done with a little more swashbuckling and a little less gymnastics.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
After proving himself on the field of battle in the French and Indian War, Benjamin Martin wants nothing more to do with such things, preferring the simple life of a farmer. But when his son Gabriel enlists in the army to defend their new nation, America, against the British, Benjamin reluctantly returns to his old life to protect his son.
Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.
Lucas, a wealthy, 43 year-old divorced businessman, is irresistibly attracted to Elsa, a 38 year old renowned sculptor from whom he has commissioned a piece to decorate the reception at his office.
A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.
An unconventional romantic comedy about a young American photographer and a French girl with a taste for the macabre. Paul & Paulette’s chance encounter on a Parisian boulevard sparks an unusual friendship that grows around a dark game; reenacting scenes of notorious crimes from bygone eras at the sites they occurred. As their morbid road trip approaches the more recent past it becomes more uncomfortable, blurring the lines between reality and fantasy, but finding a surprising joy in the darker corners of humanity.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
Bored with the limited and tedious nature of provincial life in 19th-century France, the fierce and sensual Emma Bovary finds herself in calamitous debt and pursues scandalous sexual liaisons with absolute abandon. However, when her volatile lifestyle catches up to her, the lives of everyone around her are endangered.
Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.