100 Years at the Movies

A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).

The history of Hollywood musical movies, from the very beginning until the 21st century, hosted by Shirley Jones.

An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?

This Traveltalk series short looks at California, beginning with the diverse types of flowers found in the state. After a look at some popular Hollywood landmarks, we visit Glendale's Forest Lawn Memorial Park, a famous cemetery.

Stages is a documentary about show business by show business - featuring the likes of Brad Garrett and Emily Kinney, actors share their experiences and passion for their craft.

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.

In this animated documentary, Los Angeles filmmaker Dion Labriola recounts his all-consuming childhood quest to contact his teen idol, Ike Eisenmann - and the magical turn of events that led him toward his goal (some 40 years later).

Robert Llewellyn examines the enduring appeal of submarine movies, finding a beached Cold War Russian nuclear sub on the Medway and WWII German U-boat pens on the French coast.

Alex Norton discovers how showbusiness has handled the portrayal of the Scottish accent. For over 100 years audiences have struggled to understand our braw brogue: silent Harry Lauder films attempted an accent in the captions, and in Hollywood's golden era , everyone wanted to paint their tonsils tartan- but as examples from Katharine Hepburn, Orson Welles and Richard Chamberlain show, they couldnae. Then Disney made Brave and proved that it disnae have to be all bad!