Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Absolution 2024 - Movies (Jan 11th)
Bank of Dave 2 The Loan Ranger 2025 - Movies (Jan 11th)
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The Last Showgirl 2024 - Movies (Jan 10th)
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Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
Get Away 2024 - Movies (Jan 10th)
The Gardener 2025 - Movies (Jan 10th)
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George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
The Chase - (Jan 11th)
Love During Lockup - (Jan 11th)
Casualty - (Jan 11th)
Someday at a Place in the Sun - (Jan 11th)
Rip Off Britain - (Jan 11th)
Bargain Hunt - (Jan 11th)
The 11th Hour with Stephanie Ruhle - (Jan 11th)
Cold Case Files - (Jan 11th)
All 4 Adventure - (Jan 11th)
The Ingraham Angle - (Jan 11th)
The Five - (Jan 11th)
Special Report with Bret Baier - (Jan 11th)
Jesse Watters Primetime - (Jan 11th)
Outnumbered - (Jan 11th)
Hannity - (Jan 11th)
Gutfeld - (Jan 11th)
The Kelly Clarkson Show - (Jan 11th)
The Way Home - (Jan 11th)
Cold Case Files- Murder in the Bayou - (Jan 11th)
Gangland Chronicles - (Oct 1st)
I have to say that I quite enjoyed Tomorrowland despite its way too common mistake of being quite a bit nonsensically preachy to satisfy the current politically correct view of what is “wrong” with the world today. Filtering out those parts this is a quite enjoyable, visually very entertaining, family movie. If you have strong opinions about certain things then you might want to be with your kids when watching this one. Personally I consider my oldest son to be quite capable of making his own opinions and as for the two younger kinds I try to point out the pro’s and con’s and let them grow up to make their own mistakes. Having that out of the way this is a visually quite wonderful movie. it is of course quite CGI enhanced but in a good way. It is a Disney movie after all so you would expect, at least I did, some “artistic freedom” as far as the scenery is concerned. The story is actually a quite lovely “fairy tale” kind of story about a “wonderland” far far away. Initially it is a wee bit difficult to get a grip of what is happening since it all moves about all over the place a bit. If you can overcome that first disorientation it does indeed get somewhat sensible after a while. Having said that I mean “sensible” in the context of not only a wild and whacky science fiction movie but in the context of a wild and wacky science fiction movie aimed at the younger part of the audience. Despite the scientific blurb thrown around in the last half of the movie do not for a minute believe that any of the script writers have more scientific knowledge than the average Hollywood script writer which is…zero. To me the enjoyment of this movie came from the childish fantasy style (it does have quite a bit of a fairly tale story over it), from the rather enjoyable cinematic effects, quite a bit of cool action and last but not least … George Clooney. Actually that is not entirely fair. George was part of it but what I really liked was the recruiting android all the way from the start. When Clooney entered the scene both him and the android pretty much stole the scene. I am afraid that the Newton girl, for a lot of the time, felt more like a “plot element” than a main character to me. I have to say that I quite liked the scenes in Paris as well. Sorry guys but I do live in France after all. The Eiffel Tower scenes where quite enjoyable and I do like the touch where they used Mr. Eiffel’s apartment at the top of the tower as a scenery. Actually I am not sure how many people actually know that there is an apartment (now a museum) up there. The stuff about a hidden room and a hidden [naah, that would be a spoiler] beneath the tower is of course truly nonsensical. So, bottom line, if Disney would not have gone down the line of trying to make a political statement, and I do not care what that statement was except that it was blunt, obvious and unconcealed, then this movie would have gotten another star or two. I cannot justify giving it much lower than what I did since it was, technically speaking, a quite good and entertaining movie. However, movies for children is not the medium to make a statement unless you believe that you are living in a socialist state a ‘la the Soviet Union.
Wish it was greater, but for what it is it's still enjoyable. 'Tomorrowland' is an intriguing futuristic film, it doesn't really delve as deep into its potential-filled premise as it should but it scratches the surface and it makes for - just about - solid viewing. The special effects are very nice, also. As for the casting, I guess it could've been better. However, I did like the main quartet of Britt Robertson (Casey), George Clooney (Frank), Raffey Cassidy (Athena) and Hugh Laurie (David) - the latter has a good rant late on. I rate the way the story is told, mostly in retrospective by Robertson and Clooney - it keeps it interesting. I just feel more should've been done with this, given it's fairly entertaining even in its current state and has a load of potential. Either way, I did narrowly like it.
A mega-grumpy George Cluney is always worth watching. A nice upbeat "We can change our own future for the better" movie. It's bright, colourful and inoffensive.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
A lonely telephone operator leading an empty, amoral life finds God – only to have her faith continually tested in ways beyond what she could have imagined.
Sam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.
After a top-secret experiment misfires, a scientist may be the only man left alive in the world.
After receiving a package from his grandfather, Ray, a young inventor who lives in England during the mid-19th century, finds himself caught in the middle of a deadly conflict related to a revolutionary advance in steam power.
Amy is only 13 years old when her mother is killed. She goes to Canada to live with her father, an eccentric inventor whom she barely knows. Amy is miserable in her new life... until she discovers a nest of goose eggs that were abandoned when a local forest was torn down. The eggs hatch and Amy becomes "Mama Goose". When Winter comes, Amy, and her dad must find a way to lead the birds South.
Wayne Szalinski is at it again. But instead of shrinking things, he tries to make a machine that can make things grow. As in the first one, his machine isn't quite accurate. But when he brings Nick & his toddler son Adam to see his invention, the machine unexpectedly starts working. And when Adam comes right up to the machine, he gets zapped along with his stuffed bunny.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.