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All In with Chris Hayes - (Mar 7th)
Georgie and Mandys First Marriage - (Mar 7th)
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The Pitt - (Mar 7th)
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The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
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Katy Tur Reports - (Mar 6th)
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I have to say that I quite enjoyed Tomorrowland despite its way too common mistake of being quite a bit nonsensically preachy to satisfy the current politically correct view of what is “wrong” with the world today. Filtering out those parts this is a quite enjoyable, visually very entertaining, family movie. If you have strong opinions about certain things then you might want to be with your kids when watching this one. Personally I consider my oldest son to be quite capable of making his own opinions and as for the two younger kinds I try to point out the pro’s and con’s and let them grow up to make their own mistakes. Having that out of the way this is a visually quite wonderful movie. it is of course quite CGI enhanced but in a good way. It is a Disney movie after all so you would expect, at least I did, some “artistic freedom” as far as the scenery is concerned. The story is actually a quite lovely “fairy tale” kind of story about a “wonderland” far far away. Initially it is a wee bit difficult to get a grip of what is happening since it all moves about all over the place a bit. If you can overcome that first disorientation it does indeed get somewhat sensible after a while. Having said that I mean “sensible” in the context of not only a wild and whacky science fiction movie but in the context of a wild and wacky science fiction movie aimed at the younger part of the audience. Despite the scientific blurb thrown around in the last half of the movie do not for a minute believe that any of the script writers have more scientific knowledge than the average Hollywood script writer which is…zero. To me the enjoyment of this movie came from the childish fantasy style (it does have quite a bit of a fairly tale story over it), from the rather enjoyable cinematic effects, quite a bit of cool action and last but not least … George Clooney. Actually that is not entirely fair. George was part of it but what I really liked was the recruiting android all the way from the start. When Clooney entered the scene both him and the android pretty much stole the scene. I am afraid that the Newton girl, for a lot of the time, felt more like a “plot element” than a main character to me. I have to say that I quite liked the scenes in Paris as well. Sorry guys but I do live in France after all. The Eiffel Tower scenes where quite enjoyable and I do like the touch where they used Mr. Eiffel’s apartment at the top of the tower as a scenery. Actually I am not sure how many people actually know that there is an apartment (now a museum) up there. The stuff about a hidden room and a hidden [naah, that would be a spoiler] beneath the tower is of course truly nonsensical. So, bottom line, if Disney would not have gone down the line of trying to make a political statement, and I do not care what that statement was except that it was blunt, obvious and unconcealed, then this movie would have gotten another star or two. I cannot justify giving it much lower than what I did since it was, technically speaking, a quite good and entertaining movie. However, movies for children is not the medium to make a statement unless you believe that you are living in a socialist state a ‘la the Soviet Union.
Wish it was greater, but for what it is it's still enjoyable. 'Tomorrowland' is an intriguing futuristic film, it doesn't really delve as deep into its potential-filled premise as it should but it scratches the surface and it makes for - just about - solid viewing. The special effects are very nice, also. As for the casting, I guess it could've been better. However, I did like the main quartet of Britt Robertson (Casey), George Clooney (Frank), Raffey Cassidy (Athena) and Hugh Laurie (David) - the latter has a good rant late on. I rate the way the story is told, mostly in retrospective by Robertson and Clooney - it keeps it interesting. I just feel more should've been done with this, given it's fairly entertaining even in its current state and has a load of potential. Either way, I did narrowly like it.
A mega-grumpy George Cluney is always worth watching. A nice upbeat "We can change our own future for the better" movie. It's bright, colourful and inoffensive.
Dr. Ernst Grood , having already dominated the planet Ergro, now intends to take over the control of the Earth. Unfortunately for him, reporters oppose his sinister designs.
In the not-too-distant future: after a global catastrophe has wiped out nearly all of humanity on Earth, an elite astronaut from Space Colony Kepler must make a decision that will seal the fate of the people on both planets.
In a white hot flash of light, and with no warning, one minute our moon is there, the next it's gone. Then, a second flash. And that's the last thing anyone on Earth can remember. 11 months later, it's not post- apocalyptic; it's apocalyptic as Earth has been sucked through a wormhole, literally ripping our planet from the inside out. With bizarre disasters and civilization collapsing, our heroes must find a way to survive and get to "safe ground" before it's too late.
A Victorian Englishman travels to the far future and finds that humanity has divided into two hostile species.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.