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**The best of the sequels** _Battle for the Planet of the Apes_ is the best of the Planet of the Apes sequels - a film packed with emotion and incident. Caesar (Roddy McDowall) seeks his parents in the ruins of a destroyrd city and irks a gang of crazed freaks who all wear silly hats and _skiing goggles_. Leonard Rosenman gives us a nice score and the photography is beautiful. The classiest looking of the Apes sequels and definitely the most emotional. Just stick with the first movie and this one. - Ian Beale
In the beginning God created beast and man so that both might live in friendship and share dominion over a world of peace. The original Planet of the Apes film franchise closed down with a whimper as budget restrictions, general screenplay lethargy and contempt of familiarity swamps the production. Plot finds the apes and humans trying to live in harmony, but find their efforts stymied by a tribe of mutant humans living in the nuked underworld, and that of a power-hungry gorilla general. What follows is a film that sees various simian and human species throw exposition at each other in the vain belief it's literately smart. When the action comes it's half hearted and perpetrated by the least amount of actors possible. The make-up is shoddy, the fun element gone, while the acting is very uneven across the board. There's enough value in the various characterisations to at least keep fans of the series interested, and the photography belies the cheapness evident elsewhere, but really it's a sad closure to what had once been a smartly entertaining franchise. 4/10
A limp way for the original franchise to finish. Its predecessor, 'Conquest of the Planet of the Apes', was a weak entry too but remained watchable, though 'Battle for the Planet of the Apes' kinda straddles the other side as it's uninteresting. I didn't dislike it and it is very short at around 82 minutes, which helps. Roddy McDowall is the pick of the cast, though even his performance feels weary at this point. A 'strong' 6/10 rating from me, if such a thing exists. It was the right time for them to end this (very good, all in all) series.
Well the last film was last year, but that's ten years for an ape so we now find "Caesar" (Roddy McDowell) living with his family and presiding over what I think Shakespeare referred to as a "loose confederation of warring tribes". The militaristic gorillas, led by "Aldo" (Claude Atkins) are just itching for a fight - and they might just get their way as the humans under the command of a surviver from the command bunker last time are hot for a battle too. "Kolp" (Severn Darden) is bent on reducing their home to rubble and reducing the Simian race to slavery once again. When tragedy strikes "Caesar", things come to an head - with an heavily armed force approaching and his own source of insurrection to contend with. Can they prevail - once again? Although this isn't bad, I feel the franchise has run out of oomph now. The stories of will they survive, thrive etc. have started to recycle themselves just once too often. The characters are now too established, their morals and principles too enshrined, for there to be much scope to enhance, develop or alter the storylines and so here, though there is quite a sneaky bit of strategy at the end, it's all just a little procedural. All in all, these are quite an entertaining series of five films with some excellent costumes and make-up, just enough action and some fodder for our own grey matter to give them a value. I'm not sure we need any more, though.
Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
Story about a low-life drug dealer who tries to turn his life around, but finds himself at the mercy of fate when he encounters a cop with an agenda of his own.
"All men are not created equal. It is the purpose of the Government to make them so." This is the premise of the Showtime film adaption of Kurt Vonnegut's futuristic short story Harrison Bergeron. The film centers around a young man (Harrison) who is smarter than his peers, and is not affected by the usual "Handicapping" which is used to train all Americans so everyone is of equal intelligence.
A "symbolic" character traces the path of man in search of salvation in this world within his own ghosts and deformations.
In a distant galaxy three escaped female convicts crash land on a primitive world inhabited by a race of warlike apes. They fight for survival as the humanoid apes fight for their possession, body and soul. A daring escape is their only way out. Hot on their heels are the blood lusting gorillas and a prison warden bent on their return to the prison ship they escaped from. Treachery, alliances and battle await the fighting factions. Who will survive on a planet where apes rule and humans are only breeding stock.
It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.
After a nuclear holocaust tears the world apart, mankind is forced to the harshness of not only the oppression of others who are much more powerful, but the dead earth which seems to be getting worse with every passing moment. But a savior has risen from the ashes, a man who will defeat those who would torment the weak and make the world a livable place once more. A man named Kenshiro...
Two crew members wake up on an abandoned spacecraft with no idea who they are, how long they've been asleep, or what their mission is. The two soon discover they're actually not alone – and the reality of their situation is more horrifying than they could have imagined.
In the year 2019, a plague has transformed almost every human into a vampire. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vampires on a way to save humankind.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In a near future, in the heart of a forest in the North where anarchy reigns, a young girl Hawa and her father live as refugees along with other survivors.