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Well, well. So this is Dodge City, huh? Sort of smells like Fort Worth, don't it? "Dodge City, Kansas - 1872. Longhorn cattle center of the world and wide-open Babylon of the American frontier - packed with settlers, thieves and gunmen". "Dodge City... rolling in wealth from the great Texas trail-herds... the town that knew no ethics but cash and killing". Enter trail boss Wade Hatton, cunningly disguised as a dashing Errol Flynn... Dodge City, an all action Western from start to finish, finds Errol Flynn (in his first Western outing) on tip top form. Based around the story of Wyatt Earp, Michael Curtiz's expensively assembled film charms as much today as it did to audiences back in 1939. All the genre staples are holding the piece together, dastardly villains, pretty gals, wagon train, cattle drive, iron horse, Civil War, shoot outs, fist fights and of course an heroic Sheriff. All neatly folded by the astute and impressive Curtiz. Aided by Sol Polito's fluid Technicolor enhanced photography, and Max Steiner's breezy score, Curtiz's set pieces shine as much as they enthral. A burning runaway train and the finest saloon brawl in cinema are the stand outs, but there are many other high points on which to hang the hat of praise. Very much a male dominated film, it's with the ladies that Dodge City fails to reach greater heights. Olivia de Havilland, who is always a feast for the eyes in Technicolor, disliked her role as Abbie Irving, and it's not hard to see why. There is not much for her to get her teeth into, it's a simple role that demands nothing other than saying the lines and to look pretty. Ann Sheridan as Ruby Gilman gets the more sparky role, but she sadly doesn't get that much screen time. Which is a shame because what little there is of Sheridan is really rather great. Those problems aside, it's with the guys where the film is rightly remembered. Flynn attacks the role of Hatton with gusto and a glint in his eye. When he straps on the Sheriff badge for the first time it's akin to Clark Kent shredding his suit to become Superman. Yes it's that exciting. Bruce Cabot and Victor Jory are growly and great villains, while comedy relief comes in the fine form of side-kickers Alan Hale and Guinn 'Big Boy' Williams. Picture sets out to entertain, and entertain it does. In a year that saw other notable and lauded Westerns also released (Stagecoach, Jesse James and Destry Rides Again) give credit where credit is due, for Dodge City deserves its place amongst those other genre offerings - and most assuredly so as well. 8/10
A mediocre western set to be carried by the charisma of its two leading actors. Root out the bad guys and get the girl is what "Dodge City" can be boiled down to. It has many predictable moments that you don't have to be an astute viewer, to see coming. That fact does, however, not make it a drag to watch, which is down to the phenomenal cast. Olivia de Havilland doesn't get much to do except to stand around and look pretty, which is such a waste of one of the finest actresses the medium ever had. Flynn is charming and charismatic as ever. Alan Hale does a great job as the funny sidekick that you cannot help but adore as the film goes on. One thing the film itself deserves praise for, is its bar fight, which has to be the nuttiest one I have seen in any western. They go all out, and I can't imagine someone didn't get hurt for real during it. It's a motion picture mostly for die hard fans of cast members such as Flynn or de Havilland. Other than that, there's not much to it. If you're not the biggest western fan, this surely won't win you over, and western connoisseurs will most likely be bored.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Two brothers who hate themselves are going to spend Christmas with their mother. She tries to get them together.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
Lawyer Butler, wanting Jeff Carson's ranch, has the Sheriff and his gang frame the bank holdup on him. Then they kill a witness that could free Carson and blame the murder on his son Sunset. But Sunset escapes, frees his father, and then sets a trap to catch the real killers.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A former sheriff begins to persecute the gang led by Pedro Ortiz, after his wife is taken away.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.