A Christmas Carol sings the haunted verses of Dickens through disjointed emotionless motion capture. “Bah! Humbug!” Zemeckis had always been fascinated with digital cinema. ‘The Polar Express’ was technological innovation at its more pure, yet ‘Beowulf’ stabbed itself through contrived art direction that failed to suit the dark environment it was showcasing. So when he heard the “House of Mouse” were adapting Dickens’ universally known tale (again...), he clearly joyfully jumped at the chance of producing more digital art. The inevitable question though is: why? Does a Victorian-era Christmas story warrant the unrefined technological advancement of motion capture? Yes and no, is the answer. The tale itself remains intact, following closer to Dickens’ words than any other adaptation that preceded this. On Christmas Eve, Scrooge encounters various spirits that show the repercussions of his selfish acts, in a bid to rid the evils of ignorance and want. I’ve seen it. You’ve seen it. Your nan has definitely seen it. And probably your pet dog too. Whether it be live-action, Mickey Mouse or The Muppets, you have almost indefinitely seen an adaptation of this famous novella. It’s an important moral that warrants the several iterations over the course of cinema, teaching families the significance of generosity and Christmas spirit. Much like its source material however, it’s a dark tale. Ghostly ghouls visiting an elderly lonely man, including his deceased business partner entrapped in shackles and the shadow of Sauron succumbing Scrooge to the depths of Mordor’s burning fires. Zemeckis took the core tone of Dickens’ novella and merged it with Disney’s typical holiday whimsicality. The end result? Inconsistent. It’s either too dark for children or too joyous for adults. The two jarring tones rarely worked, producing a conflicting adaptation. One moment Scrooge is dealing with a prostitute dragged away in a straining jacket. The next scene? Children having a snowball fight to the merry notes of Silvestri’s score. Neither producing an entirely cheerful Christmas flick or faithful replication. I’d rather have a 15-rated horror adaptation of A Christmas Carol, as intended of course. Now for the motion capture. It is what it is I suppose. A technical achievement for its time, utterly outdated a decade later. Character models were stilted. Eyes lacked any expression whatsoever. When close to candle lighting, resembled waxworks. The Ghost of Christmas Past just looked terrible, with its face mismatching the rest of its anthropomorphic candle body. Environmentally speaking, the scenery and inanimate objects were stunningly designed. It really felt like Christmas in Victorian-era London. Just a shame that Zemeckis only tested the limitations of animation through scenes of padding. Scrooge chased by a grim reaper for five minutes. Scrooge flying around London for three minutes. Scrooge slowly becoming Jim Carrey for the film’s entirety. Seemed like additional efforts for gimmicky 3D extravaganza than actual substance. Fortunately the voice acting was perfect. Carrey and his multitude of personas rarely matched Scrooge’s mundane lifestyle. But that’s why it worked so well! The various voices of the ghosts as well tested his voicing talent remarkably. Oldman as Cratchit added a touch of humility to the story, and again, suited the character perfectly. A Christmas Carol is a smorgasbord of tonal clashes and technical anomalies. For every fantastic aspect is a tiresome trope. The gorgeous scenery design is counteracted by horrific motion capture. The source material’s darkness is restrained by forced whimsicality in an attempt to appeal to the masses. It’s not the ideal Christmas present I asked for, but I can make do with its contents. Bah! Humbug!
A tale that almost feels as old as time itself, one that is very much overtold. However, this 'A Christmas Carol' is a good retelling of Charles Dickens' work. Jim Carrey isn't necessarily firing on all cylinders, but is entertaining enough as Scrooge. Gary Oldman (Bob) and Colin Firth (Fred) are welcomed members of the voice cast, also. I quite like the tone of the film, as well as the design of the animation - which isn't amazing, some parts look like what you'd see in a video game, but it works well to set up the ambience of the London surroundings. There's good music from Alan Silvestri, too. Overall, I'd recommend it - admittedly I do enjoy the story of Ebenezer a lot.
It takes a bit of getting used to the rather angular style of animation, but thereafter this is quite an enjoyable adaptation of Charles Dickens' tale of the wealthy miser "Scrooge". He hates Christmas with a vengeance - all that good will malarkey - humbug! Luckily for his eternal soul, his long-dead partner "Marley" mysteriously appears and forewarns him of three visits he is going to receive in the early hours of Christmas morning. His past, his present and his future are going to flash before his eyes - all with a view to him realising the errors of his ways and changing for the better before it's all too late. The story is told in a similar fashion to Ronald Neame's version from 1970 - only without the music - and it's well paced with plenty of creative and expressive use of the animator's art to re-create a Victorian world of poverty, cold and generosity of spirit - even in the least likely of places. Robert Zemeckis has assembled a solid vocal cast to compliment the eerily life-like characterisations and although they can look a little sterile at times, this is still a worthwhile reimagining of an oft told story that keeps a tight hold on the reins for ninety minutes of dark festive fantasy with a message of joy and hope.
The 'Here Comes Christmas Candy Cane' is an important part of Ponyville: it’s the beacon that shows jolly old Santa Claus the way to the town as he makes his holiday rounds each year. But when Minty accidentally breaks it, it looks like Ponyville is destined to have a bleak holiday season. Minty is determined to do anything to save Christmas for her Pony friends while they, in turn, band together to try and cheer up their despondent four-legged friend.
Movie Star Rating : 5.4 Read More
When a reporter encounters the eldest son of a famous political family at a mountain retreat, she winds up pretending to be his girlfriend over Christmas so he can save face with his family. Should she secretly expose newsworthy scoops about the famous family in order to save her job, or trust that she's falling in love for real? Stars Patricia Richardson and Katrina Law.
Movie Star Rating : 6.3 Read More
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
Movie Star Rating : 7.9 Read More
Cars fly, trees fight back, and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when bloody writing on a wall announces: The Chamber Of Secrets Has Been Opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage.
Movie Star Rating : 7.7 Read More
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
Movie Star Rating : 8 Read More
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
Movie Star Rating : 7.8 Read More
Returning for his fifth year of study at Hogwarts, Harry is stunned to find that his warnings about the return of Lord Voldemort have been ignored. Left with no choice, Harry takes matters into his own hands, training a small group of students to defend themselves against the dark arts.
Movie Star Rating : 7.7 Read More
As Lord Voldemort tightens his grip on both the Muggle and wizarding worlds, Hogwarts is no longer a safe haven. Harry suspects perils may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle fast approaching. Together they work to find the key to unlock Voldemorts defenses and to this end, Dumbledore recruits his old friend and colleague Horace Slughorn, whom he believes holds crucial information. Even as the decisive showdown looms, romance blossoms for Harry, Ron, Hermione and their classmates. Love is in the air, but danger lies ahead and Hogwarts may never be the same again.
Movie Star Rating : 7.7 Read More
Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. But when a pair of bungling burglars set their sights on Kevin's house, the plucky kid stands ready to defend his territory. By planting booby traps galore, adorably mischievous Kevin stands his ground as his frantic mother attempts to race home before Christmas Day.
Movie Star Rating : 7.4 Read More
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
Movie Star Rating : 6.7 Read More
It is nearly Christmas when two recently orphaned children have to choose with which of their relatives they will live – eccentric, stingy Aunt Edwina, who only wants them for their trust fund, or kindly Uncle Robert who wants to genuinely welcome them into his family. On Christmas morning, both Edwina and Robert have surprises in store for them when the children make their decision.
Movie Star Rating : 8 Read More
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