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In any format it's a genre highlight. Henry Jarrod is a very talented sculptor of wax figures for a museum. But as the museum starts to flounder, Jarrod's partner, Matthew Burke, insists on taking a new direction, a row ensues and Jarrod is knocked unconscious. Burke seizes the opportunity to torch the museum and get the insurance money, with Jarrod still in the premises. Thought long since dead, Jarrod resurfaces, apparently wheel chair bound and with horribly burned hands. Opening up a new museum, his new figures (made by his protégé under his instruction) look ever more lifelike than before, could he be responsible for some despicable crimes in the area? This marvellous film is a remake of the 1933 chiller, The Mystery Of The Wax Museum, directed by Michael Curtiz. Here this film is taken on by Andre de Toth, originally filmed in 3-D with the then bonus addition of Warner Phonic Sound, it's a picture that thankfully holds up real well even in its basic flat format. The reason it does hold up well is because director de Toth didn't get carried away with the gimmick, it's used sparingly so the narrative never gets lost amongst any trickery, and thus House Of Wax's excellently creepy story comes to the fore. Having the ever supreme Vincent Price as your leading man (Jarrod) will always help your horror genre picture, and here he two folds the performance brilliantly. At first his Jarrod is charming and carrying a grace about his dedication to his craft, but then, devilment takes control as Price pumps creepy ardour into Jarrod's fractured mind. Quite a turn from Price who most definitely suffered for his art during the shoot, forced to do his own stunts (the 3D process needs more than one camera), he was involved in an accident that set him on fire and almost saw him crushed!Then there was the long and often painful make up sessions to get the desired effects of a burns victim, layers of rubber strangling his skin to the point of passing out, oh yes Vincent earned his money on this one! We even get one of the earliest credited performances from Charles Bronson (here under his real name of Buchinsky) as Jarrod's assistant Igor, whilst fans of The Addams Family TV series will no doubt enjoy the performance of future Mortica, Carolyn Jones. The film was a big success on its release, and hugely popular with critics, and it's not hard to see why, because today it still stands proud as one of the finest exponents of classic horror, both as a story and as a technical construction. 9/10
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
In a bid to distract herself from an affair, a narcissistic woman befriends a cleaning lady with burn scars, but she soon discovers that the scars may be more than skin deep.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.
Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
The boyfriend of an abducted woman never gives up the search as the abductor looks on.
Hell's Kitchen, New York. Terry Noonan returns home after a ten-year absence. He soon reconnects with Jackie, a childhood friend and member of the Irish mob, and rekindles his love affair with Jackie's sister Kathleen.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.