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Gorgeous & Creepy Hammer Horror Winner. Hammer Film Productions rework some of the classic Universal Studios mummy material to great effect. Directed by Terence Fisher, this is not a remake of the seminal 1932 movie of the same name. Starring Peter Cushing (John Banning), Christopher Lee (Kharis/The Mummy), Raymond Huntley (Joseph Whemple) and Yvonne Furneaux (Isobel Banning/Princess Ananka), the film is written by Jimmy Sangster and was filmed at Bray & Shepperton Studios in England and is photographed in Eastman Color. I mention the latter because Eastman Color has a different hue to it, something that makes this movie all the more affecting as a horror piece. The plot sees three archaeologists (Stephen & John Banning & Joseph Whemple) desecrate the tomb of Egyptian Princess Ananka. This awakens Kharis, Ananka's blasphemous lover who was buried alive for his unlawful deeds. Taken from the tomb to London by Egyptian priest Mehemet Bey (George Pastell), the three archaeologists find they are being hunted down by the vengeful Kharis. The only salvation may come in the form of Isobel Banning who bears a striking resemblance to Princess Ananka. This Mummy is adroitly directed by Fisher, his choreography for the action scenes is stunning. Lee's incarnation as the mouldy bandaged one is swifter than most, thus Fisher has him stalking around Victorian England one minute, then the next he's crashing thru doors or windows with brute strength - with murder his (its) only goal. It's a top performance from Lee as he really throws himself into the role, with his dead eyes ominously peering out from gauze swathed sockets sending those little shivers running down the spine. Technically the film belies the budget restrictions that was a staple of Hammer productions. The sets are very impressive with the Egyptian tomb set original and authentic looking, and the swamp based set-up nicely constructed. The latter of which provides two genuine horror classic moments, as first we see the Mummy for the first time as he rises from a foul bubbling bog, and then for the dramatic swampy finale. It's also atmospherically filmed by Fisher, with Jack Asher's photography utilising the Eastman Color to give off a weird elegiac beauty. This is not about gore, Fisher and the makers wanted to thrive on atmospherics and implication, something they achieve with great rewards. The Mummy would prove to be very successful in Britain and abroad, thus ensuring Hammer would dig up more Mummy's for further screen outings, none of which came close to capturing the look and feel of this first makeover. Crisply put together and with another in the line of great Christopher Lee monster characterisations, this Mummy is essential viewing for the creature feature horror fan. 8/10
While falling a bit short of the earlier Frankenstein and Dracula "reboots" from Hammer, this one is still quite good, again due to the talents of Fisher, Cushing, and Lee. It's story, while borrowing many elements from the 1940s Universal sequels, is quite good and this is probably the best version of the Kharis character ever filmed. Christopher Lee's interpretation brings an aggressive, monstrous, and emoting mummy, not the slow, lumbering version of the 1940s (apologies to Lon Chaney). A first rate offering from Hammer.
When a young bride marries into a ridiculously rich and delightfully deranged family, her wedding night becomes her worst nightmare as she's forced to play a lethal game of hide-and-seek and must fight to stay alive.
After watching a series of notorious shock films, our lead falls into the life of murder and mayhem. Slowly but surely his mind is in a world of his own as he keeps a girl in his bathroom to torture.
On the run from relentless redneck cultists, a lone girl finds herself trapped in a cycle of violence and death.
Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing, a shambling swamp-monster whose touch burns those who feel fear.
When several young girls are found dead, left hideously aged and void of blood, Dr Marcus suspects vampirism. He enlists the help of the Vampire Hunter. Mysterious and powerful, Kronos has dedicated his life to destroying the evil pestilence. Once a victim of its diabolical depravity, he knows the vampire's strengths and weaknesses as well as the extreme dangers attached to confronting the potent forces of darkness.
Professor David Ash exposes false spiritulists and mediums. He is invited to Edbrook to resolve the fears and torments within its secretive family. Soon after arriving Ash begins to doubt his own senses, and watching the strange behaviour of its residents does not make his task any easier. In time, he finds there's more to Edbrook than even he can debunk.
After being implicated in a murder, a young woman flees New York City and moves to Los Angeles, where she rents a room from a writer. They begin an affair, but it seems she's been followed by a homicidal duplicate of herself.
McKayla and Sadie, two death-obsessed teenage girls, use their online show about real-life tragedies to send their small Midwestern town into a frenzy and cement their legacy as modern horror legends.
A young boy tells three stories of horror to distract a witch who plans to eat him.
In the aftermath of a violent break in, a young woman held captive desperately fights for her freedom.