Drop 2025 - Movies (Jun 2nd)
A Working Man 2025 - Movies (Jun 2nd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
The Severed Sun 2024 - Movies (Jun 1st)
The Encampments 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
Mountainhead 2025 - Movies (May 31st)
The Pickleball Exorcist 2025 - Movies (May 31st)
The Blinkless 2024 - Movies (May 31st)
Call of the Void 2025 - Movies (May 31st)
A RAD Documentary 2025 - Movies (May 30th)
Lets Make a Deal - (Jun 3rd)
The Rachel Maddow Show - (Jun 3rd)
The Last Word with Lawrence ODonnell - (Jun 3rd)
Have I Got News for You - (Jun 3rd)
Night Coppers - (Jun 3rd)
Springwatch - (Jun 3rd)
90 Day- Hunt For Love - (Jun 3rd)
The Last American Vagabond - (Jun 3rd)
Piers Morgan Uncensored - (Jun 3rd)
Bargain-Loving Brits in the Sun - (Jun 3rd)
Deadline- White House - (Jun 3rd)
Best of The Beat with Ari Melber - (Jun 3rd)
The Price Is Right - (Jun 2nd)
The Bold and the Beautiful - (Jun 2nd)
The Young and the Restless - (Jun 2nd)
Scotlands Home of the Year - (Jun 2nd)
Fare Dodgers- At War with the Law - (Jun 2nd)
Narrow Escapes - (Jun 2nd)
The Chase Australia - (Jun 2nd)
Katy Tur Reports - (Jun 2nd)
Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.
Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
Benjamin Britten’s opera of the Henry James novel. An inexperienced governess is sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess…
This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."
Star soprano Anna Netrebko created a sensation in her first Met performances as the malevolent Lady Macbeth, the central character in Verdi’s retelling of Shakespeare’s tragedy. She is joined by Željko Lucic, who brings dramatic intensity and vocal authority to the title role of the honest general driven to murder and deceit by his ambitious wife. René Pape is Banquo, Joseph Calleja is Macduff, and Principal Conductor Fabio Luisi presides over Adrian Noble’s atmospheric production.
Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.
Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.