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Award winning director Dr.Biju’s Veettilakkulla Vazhi (The way home) handles a simple but impressive idea and in the process of narrating it, takes you across several parts of India. Though this one is a slickly packaged movie that is unlike most of its genre, it also ends up a superficial attempt which never really gets deep enough into your heart. Prithviraj plays a doctor, who has lost his wife and kid in a bomb blast in Delhi. While working in a prison hospital, a woman suicide bomber requests the doctor to find her son in a remote village in Kerala and hand him over to his father, a dreaded terrorist named Abdul Zuban Tariq. She dies soon after and quite curiously, Tariq is regarded as the mastermind behind the Delhi bomb blasts which killed the doctor’s family. Now the doctor finds the kid and the film is about their journey to find the terrorist. They go to Pushkar, Jaisalmer and Ladakh. The journey is a tedious one and the doctor is viewed with suspicion not just by the police, but also by the members of the terrorist outfit. But his intention is noble, which is to find the boy’s father and hand over his son to him. The doctor’s travels, his interactions with several people including a young terrorist named Razzak (Indrajith) are shown in detail. The story is progressing in a rather predictable format, without many surprises and that too, in a leisured way. And it leaves behind several doubts in the minds of the viewer. Like for instance, what if the suicide bomber died during the blasts? She didn’t care about her child until the moment when she found the doctor, just by chance? Writer-director Dr.Biju has modeled his film mostly in the conventional offbeat format and though it is developing in several significant places in north India, there is no real effort to give an essence of the places to the viewers. Still, it is quite an achievement that the director has tried to think beyond the boundaries of the state, which is in fact the relevance of the film as well. M J Radhakrishnan’s visuals and Ramesh Narayan’s music are really good. Prithviraj has to look serious and he comes up with a nice show. But his vibes with the young boy (Master Govardhan) lacks the fizz, which is quite surprising as it could perhaps have been more enjoyable if it was there. The rest of the cast that includes Indrajith, Dhanya Mary, Irshad, Lakshmipriya and Kiran Raj have done their brief roles pretty well. Veettilekkulla Vazhi has its moments but you may need some real patience on your part to find them in between. There is an attempt to take you along to various cultures across India, but it is generally not really effective mainly due to its unconvincing storyline. But still, there is a certain amount of sincerity that has gone into its making which needs to be appreciated
Karthikeyan, a liquor baron, sets out to take back his ancestral house which was usurped by Shekharan. To seek revenge, Karthikeyan abducts Shekharan's daughter and ends up falling in love with her.
Maradonna (Shanthnoo) is an aimless youngster who likes to waste his time doing practically nothing other than fooling around. For him everything in life is Oru Rasam (just fun). He likes to take the easy way out and lacks focus in his life. He is the only son of Joseph (Lalu Alex), a Banker and Mary (Ambika), who dotes on him. The only person who has a soft corner for him is the beautiful Sofia (Nithya Menon) who has a limp and is the daughter of a failed filmmaker, Kuruvilla (Vijayaraghavan). Maradonna messes up his life by getting into company of friends and starting an internet café that fails and to recoup his losses and attracted by ‘easy money’ he gets into drugs. Soon he is conned and loses everything after pledging his house to a ‘blade’ moneylender (Salim Kumar).
The film, in Malayalam and made by the Indian film maker K P Kumaran, AkashaGopuram is set among the Indian immigrant community in London and tells the story of Albert Samson (Mohanlal), a middle-aged architect who has clawed his way to prominence.
Thalappavu (English: The Headgear ) is a 2008 Malayalam film loosely based on the events related to Naxal Varghese and Police Constable P. Ramachandran Nair. The film portrays the social and political issues of the Naxalite era of the 1970s in Kerala.
Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
Akkaldhamayile Pennu is a Malayalam movie directed by Jairam Kailas released on 20 November 2015. The film is based on a story of a woman gravedigger. The film was produced by Kasim Arikkulam and Ashik Doha under the banner of Pearl Media and Movie Productions. Swetha Menon, Malavika Nair, Vineeth, and Sudheer Karamana had the leading roles.
After living 23 years in France, psychiatrist Dr. Roy is called back to his village by Fr Francis, the man who raised him during his childhood. He has no idea why he was asked back, but when he returns he meets his childhood friend Dr Meera Menon who has become a pediatrician, but meeting her again brings him memories of their being in love years earlier.
Two police officers struggle to survive when they become trapped beneath the rubble of the World Trade Center on September 11, 2001.
Neelakantan, heir to his father's fortunes, is an apparent menace to society. He once belittles a dancer but later they fall in love. Shekharan, an arch enemy, kidnaps his lover due to an old enmity.