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Possibly the most endearing "dumb blonde" ever? Judy Holliday rightly won the best actress Oscar for her portrayal of dumb blonde kept woman Billie Dawn, a role she successfully played on Broadway in the stage show production. Yet to only mention her would be doing a disservice to the films other strengths as it has many to justify it being labelled a classic of its time. Billie Dawn is the girlfriend of scrap metal magnate Harry Brock, she's not that bright and Brock uses her as a front for some less than honest dealings. Sure he cares but his treatment of her borders on the repulsive whilst still managing to get the ribs tickled, Brock worries that her dumbness will do down important business issues socially, so he arranges for the calm and well spoken Paul Verrall to be her chaperon and train her to be eloquent and more astute of the world and its history. The film then becomes your standard Pygmalion story as the nice but dim Billie not only learns about the world she lives in, she also learns about the world SHE HAS been living in, and coupled with the sexual awakening she finds with Verrall this fills out the rest of the story. It's full of delightful scenes that linger long in the memory, and outside of Holliday's brilliant performance, we get a wonderful example of the polar opposite Male love interest, Broderick Crawford as Brock is a maelstrom of shouting daftness, a man that makes you cringe such is his buffoonery. On the other hand we get the serene and well mannered Verrall played with the right amount of pathos by William Holden, and it is with much credit that amongst the loud brash shows from the other stars, he remains more than a distant memory. The comedy here will make you cringe one minute, and then have you giggling away the next, all the chief characters here engage you in the way they are meant to, the climax may be a bit too condensed for some but it's a fine ending that befits the previous efforts you have just witnessed, and I defy anyone to not laugh at the gin rummy sequence! 8/10
Intelligent script and a very funny movie, a true classic with a perfect cast. Judy Holliday steals the show, and both Crawford and Holden are at the top of their game. You will not be disappointed!
Born Yesterday’s philosophy – a fusion of Greek myth and allegory; specifically, Pygmalion (by way of Shaw) and Plato’s Cave – is not only timeless but timely. At one point, William Holden’s character says “I want everybody to be smart. I want 'em to be as smart as they can be. A world full of ignorant people is too dangerous to live in.” This is as true now as it was more than 70 years ago – perhaps truer; as recent events, such as the covid pandemic and the Russian invasion of Ukraine, have made abundantly clear, the world is still a very dangerous place full of ignorant people. This film is not only about the beauty and richness of the written and spoken language, but also about the power of words and thoughts. An uncouth, older, wealthy junkyard tycoon, Harry Brock (Broderick Crawford) comes to Washington in order to bribe a congressman. Brock brings along his “fiancee” (more like lover; and although he does intend to eventually marry her, it’s only because a wife cannot be forced to testify against her husband) Billie Dawn (Judy Holliday), an uneducated young woman. When Billie embarrasses him socially, Brock hires journalist Paul Verrall (Holden) to tutor her. Billie is willfully ignorant (“[Harry] thinks I'm too stupid, huh? … He's right. I'm stupid, and I like it … I'm happy. I got everything I want … There's somethin' I want, I ask … So, as long as I know how to get what I want, that's all I wanna know.”), and in that sense she has more in common with the prisoners of Plato’s allegorical cave than with Eliza Doolittle; accordingly, Paul doesn’t settle for improving her vocabulary and diction, but encourages her to read, learn, think, and ask questions, while director George Cukor challenges the audience to do the same. I seldom use the term ‘must-see’ to describe a work of art (after all, art is not supposed to be a chore), and Born Yesterday can certainly be enjoyed on its aesthetic and technical merits alone, but I would be remiss if I didn’t stress that this is a film that comes as close to compulsory viewing as any I’ve ever seen. Nine out of 10 times it’s surely going to be like casting pearls to swine, but I would still recommend it to as many people as possible, hoping that at least one of them will be like the person who received the seed that fell on good soil.
In rural 1977 Georgia, a misfit girl dreams of life in outer space. When a national competition offers her a chance at her dream, to be recorded on NASA’s Golden Record, she recruits a makeshift troupe of Birdie Scouts, forging friendships that last a lifetime and beyond.
Conscientious middle-class clerk, Mr. Lahtinen tries to find the melody of his life.
Set in working class Newcastle, the Stott family fight their private battles against the backdrop of the conflict of World War II. Helen Stott, over thirty and with a limp, is resigned to being left on the shelf until she meets and falls in love with Norman, a serviceman from London. In contrast, her younger sister Joyce has quite a way with men, and finds herself a little too popular with the troops, especially when her husband pops up on leave from his regiment.
An architect, who has recently married a new, younger wife, tries to re-connect with his ex-wife, who is being courted by another man.
Postman Brabec is a welcome guest of the revue theatre for his sense of humor, and he brings his director Holt letters from female admirers every day. Holt's fans include Brabec's sister Anny. The girl would like to join the theatre, but for the time being works as a maid for the actress Velden. A new revue is being rehearsed, the name of the author is secret. Veldenová will return the role just before the premiere because she doesn't like it. The quick-witted Brabec introduces the director to his sister, who knows all the parts by heart.
The process of fraudulent seizure of the inheritance left to a minor Russian girl in a case led by an Islamic judge.
"Mussu" Koikkalainen, a country boy moves to town to find a job. He finds it and is even promoted to head of complaints department. But little he knows.