New York is Now

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.

Jim Dine at work and at home. Includes footage of Dine discussing his life, his artistic development, and what is called "ugly" in his work. Examines a number of Dine's works from different periods, including his tie paintings, tool paintings, palettes, collages, and "happenings," and considers Dine's concern with objects in his work.

This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.

Larry Wessel invites you to explore the phantasmagorical worlds created by a variety of artists, writers, photographers, musicians and collectors.

An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.

This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.

As the band Placebo approach their 20th Anniversary they were given a unique opportunity to play ten cities throughout Russia. In a time when Russia was at the forefront of the world’s current affairs, little was actually reported outside Russia about the internal culture of the country. Fronted by Placebo’s Stefan Olsdal, the film explores the alternative cultures that are present within Russia’s major cities. As the tour travelled through the country the band went out and met various artists, architects, animators and musicians, finding out about the alternative creative culture and celebrating all they have to offer. From Krasnoyarsk in Siberia to St. Petersburg on the Baltic Sea, Placebo: Alt.Russia takes you on the band’s journey through Russia, meeting great characters on the way, investigating the alternative culture in Russia, and taking in the raw emotions of Placebo’s powerful concerts.

Guido Magnone designs cardboard boxes by hand for his parents' small business. A painter friend loves his brushwork and pushes him to attend the Beaux Arts. He takes an external competition, wins it, befriends the sculptors César and Féraud, surrealists, a handful of bohemians. He then discovered the mountain and quickly became one of the best climbers of his generation. He made prestigious conquests such as the west face of the Drus in the Alps, the first ascents of Fitz Roy in Patagonia with Lionel Terray or Makalu in the Himalayas... Magnone also participated in the creation of the UCPA and will be president of the Groupe de Haute Montagne from 1961 to 1965. From 1977, Guido returned to his first passion: sculpture, to devote himself fully to it around 1990. He began to exhibit again in 1996. In 2002, he exhibited his sculptures in Paris , Bourg-la-Reine, Aosta then in Etroubles in 2009.