Having Our Say: The Delany Sisters' First 100 Years

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

Inspired in the book with the same title by António Lobo Antunes.

Two little girls hide in the boys' bathroom at school so they can find out what happens there. When two boys come in, the four gradually talk each other into taking off their clothes. The principal catches them, and angrily berates them for what they've been up to, warning them that he'll have to tell their parents about the incident. Later repercussions are seen as parents of three of them separately discuss and fight about what has happened, with some taking a winking attitude of their child's discovery and others battling about how to react. Returning to school poses an additional challenge, as everyone has found out what has gone on.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

A series of vignettes based upon an imaginative girl's unique outlook on her community.

All-stars from the previous Step Up installments come together in glittering Las Vegas, battling for a victory that could define their dreams and their careers.

With the President of the Republic very ill, an advisor offers an unusual suggestion: hire a double to replace him during his convalescence. The lucky chosen one is a member of the Comédie-Française but he is also shy, unexciting and often consigned to the supporting role...But a seismic change is about to happen in the Republic.

Rose 12 years, spends his holidays in musical colony. By day she plays the flute in an orchestra. At night she shares a room with two clarinetists of 16. By proxy, Rose tries to get out childhood.

In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.