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Though only 19 when this was made, I think that Johnny Sheffield was now becoming just a bit too old to carry off this most preposterous of "Bomba" tales. When he is spotted by a photographer swinging through the trees, the local Emir decides to have him killed as, basically, glorified vermin. Ever indestructible, our young lad is rescued, downriver, by the original Princess Leah (OK, slight spelling variation) whom it turns out is the daughter of the rightful Emir who had been unceremoniously overthrown. Needless to say, our chivalrous loincloth-clad Sheffield is up for helping her to reclaim her inheritance. As with the Weissmuller "Tarzan" films, this series has begun to run out of steam. The charm and innocence of earlier iterations have gone; the storylines have become angrier, and the underlying simplicity long since compromised by invasive weaponry and technology (even by 1950s standards). The writing isn't up to much here, either - and there is an annoying romantic sub-plot that bogs it down rather. They are still watchable little features, all of them, but this one - less so.
Joan Leesom is stranded in a remote South American jungle village. She is pursued by the rapacious Taggart Taggart, however, has been involved with the beautiful native girl Chita. Chita now feels nothing but hatred for Joan, creating a deadly triangle that leads to an explosive ending.
A woman's search for her missing sister leads her to the jungles of New Guinea, where she and an expatriate guide encounter a cult leader and flesh-hungry natives.
Three friends out to disprove cannibalism meet two men on the run who tortured and enslaved a cannibal tribe to find emeralds, and now the tribe is out for revenge.
The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.
After the capture of the Sultan of Muluder, Sandokan, the sultan's son, leads a guerilla army through treacherous jungles to free his father and defeat Queen Victoria's army of invaders.
A trading company manager travels up an African river to find a missing outpost head and discovers the depth of evil in humanity's soul.
The patriarch of a wealthy and powerful family suddenly passes away, leaving his wife and daughter with a shocking secret inheritance that threatens to unravel and destroy their lives.
Jungle Love follows a handful of people who have disappeared into the jungle: a woman who has kidnapped her sister's child; an urbane couple and their indigenous guide; a bored and horny platoon; and a nameless tribe. Disappearance has another meaning in Sanchez’s native Mindanao, where a decades-old conflict between the government and secessionists fighting for an Islamic state has made the region infamous for its kidnappings. Sanchez took inspiration from an incident in which a friend living abroad visited an exhibition, and found a photo of him labeled as one of the disappeared. Jungle Love is permeated with this sense of the uncanny, as narratives and identities fracture and fuse into one another in the reckless, lonely places people go to escape themselves.
Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
A 'National Geographic' film crew is taken hostage by an insane hunter, who takes them along on his quest to capture the world's largest — and deadliest — snake.
An expedition exploring the Amazon jungle comes across a jungle goddess who lives among the animals and fears none of them-and apparently has found the secret of eternal youth.