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The Derbyshire Auction House - (Jun 3rd)
The Mighty Ducks- Game Changers - (Jun 3rd)
Kill Lupercal - (Jun 3rd)
Raw - (Jun 3rd)
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The Rachel Maddow Show - (Jun 3rd)
The Last Word with Lawrence ODonnell - (Jun 3rd)
Have I Got News for You - (Jun 3rd)
Night Coppers - (Jun 3rd)
Springwatch - (Jun 3rd)
90 Day- Hunt For Love - (Jun 3rd)
The Last American Vagabond - (Jun 3rd)
Piers Morgan Uncensored - (Jun 3rd)
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Best of The Beat with Ari Melber - (Jun 3rd)
The Price Is Right - (Jun 2nd)
The Bold and the Beautiful - (Jun 2nd)
The Young and the Restless - (Jun 2nd)
Scotlands Home of the Year - (Jun 2nd)
Stupid Cupid? Shadow on the Wall is directed by Pat Jackson and adapted to screenplay by William Ludwig from the story "Death in the Doll's House" written by Lawrence P. Bachmann and Hannah Lees. It stars Ann Sothern, Zachary Scott, Nancy Davis, Giggi Perreau and John McIntire. Music is by André Previn and cinematography by Ray June. A nifty psychological hot pot this one. Story centers on a young child called Susan Starrling (Perreau), who after witnessing the murder of her step-mother, succumbs to amnesia. Which is inconvenient for her father since he has been convicted of the murder and sent down to await execution. Can determined psychiatrist Caroline Cranford (Davis) eek the truth out of Susan's troubled memory? Can the real killer ensure that that isn't the case? It's a personal thing of course, but I have always found there to be something off kilter about doll's houses, and here we are greeted to an opening shot of one, superbly accompanied by Previn's ominous music, it's a perfect mood setter as to what is to come. Story lacks any mystery dynamic since we are privy to exactly what has gone on regarding the who, why and what fors, and in truth the outcome of it all is never really in doubt. So for although it's a thriller pic dressed up in film noir clobber, it doesn't have the verve or devilment to really be classed full bodied as such. But that's by the by, visually and the presence of a child in peril, with main character disintegration the key feature, puts it into noir lovers considerations. Since the title features the word shadow it's no shock to find shadows and low lights feature prominently. The lighting effects are very striking, the changes in contrasts perfectly befitting the mood of certain scenes. Such as when dialogue is implying emotional discord, or the silent mindset of our antagonists, while a couple of neat shadow smother shots are killer narrative boosts. The main building of the piece is not the doll's house, but that of the hospital where Susan is receiving treatment, and at night photographer Ray June perfectly sets it up for peril and dastardly deeds. While we also get a bit of wobble screen to signify troubled mental confusion. Cast range from adequate to very good. Honours go to Perreau, who is never once annoying, turning in an involving performance that has us firmly involved in her world, whilst Davis (the future First Lady Reagan) is very understated, where she gets a well written female character whose not relying on male dominance to expand the part. And with Jackson directing in an unfussy manner it rounds out as a pic worth seeking out. 7/10
A Peruvian teen lusts after his wild sister while the new wife of their difficult, wealthy father tries to hide her lower-class background.
In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.
Max is a former playboy who has decided to settle down by marrying his current love, Muriel. However, when Max catches a glimpse of the great lost love of his life, he becomes obsessed with rekindling their relationship.
On the streets they call cash dead presidents. And that's just what a Vietnam veteran is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist - a daring robbery of an armored car filled with unmarked U.S. currency!
Prominent gang leader Cyrus calls a meeting of New York's gangs to set aside their turf wars and take over the city. At the meeting, a rival leader kills Cyrus, but a Coney Island gang called the Warriors is wrongly blamed for Cyrus' death. Before you know it, the cops and every gangbanger in town is hot on the Warriors' trail.
Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.
A group of working-class friends decide to enlist in the Army during the Vietnam War and finds it to be hellish chaos - not the noble venture they imagined. Before they left, Steven married his pregnant girlfriend - and Michael and Nick were in love with the same woman. But all three are different men upon their return.
Sexual passion breeds violence in the Thomas Middleton and William Rowley written tale of a beautiful woman who falls in love with a sea-captain. Filmed with lush production values and at a leisurely, very British pace, Helen Mirren is riveting as Beatrice-Joanna, a young lass already torn by love and commitment.Beatrice-Joanna (Helen Mirren) is betrothed to Lord Alonzo de Piraquo (Malcolm Reynolds) but is in love with Alsemero (Brian Cox). She hires her father's manservant, De Flores (Stanley Baker), to kill Alonzo but after he has done so, she realises De Flores wants her as a reward.The Changeling was an instalment of the BBC's Play of the Month series and is a production for television of a 1622 Jacobean tragedy of the same name, written by Thomas Middleton and William Rowley.
With the Parliament under siege, India’s first super soldier Arjun Shergill is tasked to get hold of the terrorists in time, save the Prime Minister from their clutches and stop a dirty bomb from exploding and destroying Delhi.
Alicia, a promising young PR executive, goes home with a handsome stranger, only for the pair to be attacked by a woman with a knife. Alicia kills the woman in self-defense, but then finds herself framed for murder. Unraveling the mystery, Alicia finds herself plunged into a web of deceit from which there seems to be no escape.