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Well I suppose a sequel was bound to happen after the success of the first film, but sadly this isn't a patch on that. Essentially, this is exactly the same film only we substitute a lunar space shuttle for the aircraft. "Ted" (Robert Hays) has been certified (by "Perry Mason" himself - Raymond Burr) after his wartime PTSD finally got the better of him - or, perhaps because he was just aware of flaws in the systems of the shuttle that the big bosses wanted to overlook. Anyway, he manages to escape custody and get a black-market ticket for the flight that duly goes awry. Can he stop it from crashing into the moon-base and thereby really irking William Shatner's "Murdock"? Most of the cast from the first outing have stuck with this, and there are quite a few entertaining parodies for the likes of Burr, Shatner, Chuck Connors, Bono and Rip Torn but the comedy ship had already sailed. This is a feeble imitation that struggles right from the start to find that sweet spot; the humour is more crass and vulgar delivering more emphasis on the disjointed box office cameos rather than providing us with a decent plot. It's watchable but quite forgettable.
**A sequel that should never have been made because the first film did everything there was to be done.** After the success of “Airplane”, there was an immediate desire to make a sequel. However, the creators of the first film had serious doubts about this because they felt that they had run out of jokes about airplanes, that the film had done almost everything it could do and that there wasn't really a logical continuation for that work. And I think that feeling had a strong impact on the way this film was imagined: we are no longer on a plane, but on a space shuttle heading to a human colony on the Moon, somewhere in a future where the technologies and clothes are the same as from the period in which the film was made. It is Ken Finkleman who directs and scripts, due to the refusal of the original creators to embark on this new project. New direction, new creatives, new team, but the “recipe” used was virtually the same as the previous film: situational comedy, sometimes quite mischievous, in a succession of jokes that may or may not work well and resemble a kind of collage of humorous sketches united by a common thread. The film's humor is reasonably good and I think there was a substantive effort to match the quality of the initial film. However, I believe that the directors/writers of the first film were right when they said that the basic premise was tired, and that it would not be a good idea to make a new film that was too identical. In fact, the film's atmosphere is very warm, the ideas surrounding space travel are very far-fetched, the dialogues are excessively identical to those of the first film and even some of the best jokes are recycled and reused, in an effort to copy and paste that demonstrates a certain mental laziness. The pacing is decent enough, but the film, in general, doesn't give us an experience that could be said to be satisfactory. In addition to all this, I felt that the film also reuses part of the environments and settings from the first film. That is, if the story is set in the future and inside a lunar shuttle, why on earth does it continue to resemble the interior of a common plane? Once again, laziness, lack of investment in the project and, perhaps, lack of a decent budget. The cast is, to a large extent, the same as what we saw in “Airplane” with the same characters and saying the same jokes, in the same situations. I can't say that the actors didn't try to make an effort and give us a job well done, but I'm sure they received bad material and were part of a project that should never have gotten off the ground. One of the most obvious absences is Leslie Nielsen, an actor veteran enough to have certainly realized that it would be a bad idea to take part in this new film. Robert Hays and Julie Hagerty are back, but they are not that interesting and the work they do is very weak. William Shatner is one of the few actors who deserves a positive rating, and who manages the job well enough.
Aiming to defeat the Man of Steel, wealthy executive Ross Webster hires bumbling but brilliant Gus Gorman to develop synthetic kryptonite, which yields some unexpected psychological effects. Between rekindling romance with his high school sweetheart and saving himself, Superman must contend with a powerful supercomputer.
After his father's death, a young boy finds solace in action movies featuring an indestructible cop. Given a magic ticket by a theater manager, he is transported into the film and teams up with the cop to stop a villain who escapes into the real world.
Mario and Luigi, plumbers from Brooklyn, find themselves in an alternate universe where evolved dinosaurs live in hi-tech squalor. They're the only hope to save our universe from invasion by the dino dictator, Koopa.
Dealing with a sociopathic school bully, three high school freshmen hire a low-budget bodyguard to protect them, not realizing he is just a homeless beggar and petty thief looking for some easy cash.
After joining the Skulls, Ryan Sommers (Robin Dunne) is warned not to betray any secrets about the organization or its high-powered members. However, when Ryan witnesses a murder within the Skulls' private chambers, he finds that the closer he gets to revealing the truth - the more dangerous life becomes.
At a 1962 College, Dean Vernon Wormer is determined to expel the entire Delta Tau Chi Fraternity, but those troublemakers have other plans for him.
It's the 1970s and San Diego anchorman Ron Burgundy is the top dog in local TV, but that's all about to change when ambitious reporter Veronica Corningstone arrives as a new employee at his station.
Popular and dashing American singer Nick Rivers travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond, he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric and Flammond to attempt the rescue of her father, Dr. Paul, from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.
A collection of Monty Python's Flying Circus skits from the first two seasons of their British TV series.
Howard Langston, a salesman for a mattress company, is constantly kept busy at his job, disappointing his son. After he misses his son's karate exposition, Howard vows to make it up to him by buying an action figure of his son's favorite television hero for Christmas. Unfortunately for Howard, it is Christmas Eve, and every store is sold out of Turbo Man. Now, Howard must travel all over town and compete with everybody else to find a Turbo Man action figure.
An LA detective is murdered because she has microfilm with the recipe to make cocaine cookies. Two cops partner to find and stop the fiends before they can dope the nation by distributing their wares via the 'Wilderness Girls' cookie drive.